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One Don one week, another Don the next. From Steve Angello to Axwell, Glow gets the best at their peaks. Peaks that have no end in sight from what we can tell!!

Sitting at #14 in the DJ Mag poll, Axwell is the highest ranked member of Swedish House Mafia. His headlining set at Day 1 of Electric Zoo this year was unbelievable. Don’t believe us? Check it out now on Glow Radio!!

If Angello and Ingrosso are the more edgy, techy pieces of SHM, Axwell is without question the melodic, big room chief. Tracks like ‘I Found You,’ ‘Feel the Vibe,’ ‘It’s True,’ and the brand new ‘Nothing But Love for You,’ illustrate this point to a T.

Combined with Angello and Ingrosso, with Laidback Luke and Dirty South getting their backs, the Swedish House Mafia and its extended family are going to be ruling the world of house for years to come.

Bio

The king of the sun-kissed summer anthem; the mogul behind one of the hottest imprints on the planet; a superstar DJ who’s never lost the giddy enthusiasm of a fledgling clubber; and arguably the most successful and influential remixer of the 21st century. By anyone’s standards, Axel ‘Axwell’ Hedfors is a giant of modern-day dance music – and he’s only going to get bigger.

Axwell’s steady ascent into clubland aristocracy began back in 1995, when the eager Swedish teenager began teaching himself the arcane science of drum-machines, synthesisers and sequencers, and started releasing his very first tracks, as part of techno duo Quazar. By 1999, he’d moved towards a housier sound, as evidenced by his debut solo single, Funkboy. An impressive calling card, it paved the way for a steady flow of increasingly confident underground hits, until Axwell struck crossover gold with 2004’s glorious ‘Feel The Vibe’.

An unstoppably uplifting and instantly memorable track, the original version of ‘Feel The Vibe’ (featur¬ing vocalist Errol Reid) dazzled every corner of clubland, before an overhauled version (with new vocals by Tara McDonald) gate-crashed the UK top 20. 2005′s ‘Watch The Sunrise’ (featuring Steve Edwards) proved to be another unstoppable anthem, as was his 2006 collaboration with fellow Swedish House Mafioso Steve Angello, Supermode’s ‘Tell Me Why’ (released via Ministry Of Sound, it reach #13 in the UK and #3 in the Netherlands). But it was 2007’s rave-referencing ‘I Found U’ (#6 in the UK charts) that really cemented Axwell’s status as a producer who could marry artistic innovation with strong com¬mercial appeal – a rare thing indeed, in any genre of music.

“I do feel pressure to maintain a certain level of success,” says Axwell. “That’s a weight that lies on my shoulders – but all that pressure comes from myself. I want every tune to be better than the last one: to sound stronger, to be phatter, to work better in a club. So it’s pressure, but it’s good pressure. It pushes me forwards, creatively.”

“For me, it’s all about asking questions of myself. Would I play this? Would I play it during peak time? Is it the phattest thing I’ve ever heard? Is it the most futuristic shit out there? I question the track – and myself – the whole time. I’ve got a good expression: the goose-bumps never lie. If you get goose-bumps during the production stage, then you’re on the right track…”

Axwell’s Midas-like touch – along with his peerless technical ability – has made him the go-to guy for artists looking to get their latest release reworked into a storming dancefloor juggernaut. Madonna, Nelly Furtado, Moby and Pharrell Williams have all come a-knockin’, while productions such as his masterful reworking of Hard-Fi’s ‘Hard To Beat’, his sublime remix of The Temper Trap’s ‘Sweet Disposition’ (along with Dirty South) and of course his unstoppable version of TV Rock’s ‘In The Air’ have gone on to become as big as – or, in many cases, bigger than – the original tracks.

Part of what makes Axwell such a sought-after producer is his dazzling stylistic agility; he can switch between house, techno and electro (and everything in-between) without even breaking a sweat.

“Axwell has an innate feel for the dancefloor,” says long-time fan Judge Jules, “but his versatility is even more impressive. Too many producers get caught in a trademark groove, becoming a prisoner of their own perceived style. Axwell’s material is so varied, but it never fails to rock – big time.”

You only have to take a look over the back catalogue of Axtone, Axwell’s much-admired label, to see his enthusiasm for a dizzying range of styles and sounds. From the banging to the beatific, Axwell and his roster of artists – which includes Dirty South, TV Rock & Prok & Fitch amongst others – really have managed to please all the people, all the time.

Things have been comparatively quiet in terms of Axwell’s own release schedule for the last 12 months or so – his biggest tune of recent times has been ‘Leave The World Behind’, the spectacular collabora¬tion with Laidback Luke and his Swedish House Mafia cohorts Steve Angello and Sebastian Ingrosso. However, there’s a very good reason for this usually prolific producer keeping a relatively low profile, track-wise.

“I have been holding back with the productions for a bit,” says Axwell, “and that’s because I’m currently trying to finish off my debut album. It’s going really well. I’m used to just working track-by-track, but making a whole album, and making the whole thing sound fresh – all the tracks, all at the same time – that’s been a challenge, but a really fun one. And that’s why I didn’t release that many tracks in 2009 – although, what I did release kept me going for the whole year!

“My album will contain a bit of everything that I’m about – which is a bit of everything! It’s going to contain a lot of songs that I’ve worked on throughout the years and maybe not finished, but I’ve thought, ‘That’s a great song – I really need to finish that some day.’ And that day has come – now it’s time to finish them.”

Album or no album, Axwell has still found time to personally send the planet’s biggest clubs into utter gleeful meltdown. DJing remains a real passion of his, a way to stay connected with clubbers and their ever-changing tastes.

“I try to keep a balance,” he says. “I make sure that I get enough time in the studio, so that when I DJ I have new tracks to play. That keeps me excited. I want to play those tracks and test them out, to see if they work in a club. That helps me to keep my edge.”

“I’m the sort of person who never lets their guard slip: I always want to do the best possible job. And if I ever do feel like slacking off, I just remind myself: Listen man, you have the best job in the fucking world! I should be laughing and having fun the whole time I’m DJing! I do try to keep in mind how lucky I am.”

All those delayed flights, mislaid bags, early-morning taxis and late-night hotel check-ins have paid off: in 2009, Axwell whooshed up six places on DJ magazine’s esteemed annual Top 100 DJs survey, with his legion of fans voting him in at #14. His rise through the rankings can probably be part-explained by the Swedish House Mafia’s acclaimed and enormously popular run at Pacha, Ibiza, throughout summer 2009. Every Monday night found Axwell, Steve Angello and Sebastian Ingrosso paying to packed dancefloors and ecstatic reactions.

“Swedish House Mafia,” explains Axwell, “is kind of a bonus thing on top of our individual solo careers. It’s the ‘extra everything’ on a hamburger. I guess we might get together and do another season at Pacha, out in Ibiza, plus maybe some more shows in the style of the ones we did at Brixton Academy in November last year. They were so much fun – one of the high points of the year for me.”

Whatever direction the music takes Axwell in next, you can be sure that he’ll be closely followed by admirers and imitators alike. “During the past 15 years,” says sometime Axwell-collaborator Bob Sinclair, “there are only a few guys who have really influenced the dance-music scene with their sound and the way that they produce. Axwell is one of them.”

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How long have you been waiting to see Steve Angello? Hmmm?? Yeah, he spun at Ultrabar about a year and a half ago, but that was before Swedish House Mafia had released their first official single, ‘One.’ It was right when ‘Show Me Love’ dropped. Back then he was #63 in the DJ Magazine Poll. Now he’s #20, Swedish Mafia is the hottest ticket in the world and Steve is a Don, The Boss Man, Mr. Big Cheese.

Along with Axwell and Sebastian Ingrosso, the three of them combine to form the Voltron of house music, Swedish House Mafia. There is no one doing it in the underground and the mainstream simultaneously like they are. Whether they’re working with Pharrell or Eric Prydz, they’re coming at dance music from all angles.

Their latest release as a group, Miami 2 Ibiza is too dope for words. Steve’s new track ‘Knas’ will be in everyone’s track list for the next 5 months.

Bio

Armed with a slew of new CDs and enough confidence to rebuild Hadrian’s Wall, Steve Angello totally destroyed the Space terrace at the inaugural Ibiza opening on May 31st – but in truth, the momentum has been building on Steve Angello’s music for some time now. First up was arguably his globe-straddling Moby remix of ‘Raining Again.’ Then it was ‘Tell Me Why’ with Sebastian Ingrosso and ‘Be’ with Laidback Luke. And then ‘Be’ returned in spirit (and b-line) for ‘Show Me Love’ with original vocalist Robin S and Laidback Luke in tow, smashing clubs and Top Ten charts into tiny pieces everywhere it was dropped. “It’s a huge track as we all know,” says Steve Angello. “It’s just one of those tracks. It’s done a lot of good stuff for me so I do a new bootleg of it every six months. The best thing about it is everywhere I go, it’s the one track that everyone wants to hear. I may have played it 60,000 times but people still want to hear it!”

Since we last looked, Steve Angello decamped to Los Angeles where he’s been living at least 50% of the time, boosting his creativity and inner confidence to all-new levels. “I love playing in The States, it’s a scene that’s ready to explode,” he states. “They’re getting kind of bored of American DJs so I go one week a month to keep them interested in us. The scene in LA is huge – we used to play to 1500, now it’s closer to 4000. I play at Mansion and Avalon in LA and Pacha in New York. I love Pacha New York too – it’s Erick’s club! – they got the place up on its feet and it catches that typical New York feeling. You also remember every face on the dance-floor.”

But L.A. is Steve’s new home and despite having played pretty much every club on the American circuit, he says Avalon remains his favourite club spot. “The vibe in there is just ridiculous! It’s the only club that goes past 4AM. When the light comes in at 6AM, I still have 4 hours to go. And then I can jump in my car and go home.” Needless to say, music is Steve’s main priority in 2009. “You know, I think if you come to LA and want to work, it’s important… they’re tired of producers doing one track and disappearing – I’m a workaholic!

But when he’s not spinning or driving, there’s still much to do. When he wakes up, Angello is still very much the A & R supremo for Size Records, wherever he lays his hat that night. The label is now firing with releases by himself, Kim Fai, Funkagenda and Marcos Schauss upcoming this year alone. “Marcus is doing well, he’s a great DJ and he plays a little darker than me which is great,” says Steve. “I also signed my brother Antoine to the label. He’s 19, he’s young and fresh- he’s like me when I was 19, he’s really determined – I gave him a taste of the DJ life and he loved it!” Well, who wouldn’t? “At least I can steer him the way I want him to go,” reasons his big brother. He’s also working with Funkagenda – “such a great producer! He’s already done a couple of pieces for the label,” states Steve. “I love having him at my parties.” Steve is ready for the Mafia summer to begin. Mondays at Pacha with Seb and Axwell – what more could he ask for? “It’s so good to be having our own night and finally we got it. Every Monday will be like New Year’s Eve!”

And what about Steve’s own album? “I’m doing the Mescal kid album which is more techno – I have a Mescal kid track coming out on Sci- Tec, a dark techno track I really love but you know, I’m still making three new tracks a week! But my album is going to be really house and techy…. I got a couple of vocals in the bag but it’s too early to say.” And then of course there’s the small matter of the upcoming N*E*R*D* collaboration they’re about to finish. “We met in Sydney. We started to talk and ‘Be’ was playing in the background and Pharrell said he loved the track. We had four days off and that’s when we nailed it. I think everything is moving towards electronic dance music. Everybody is interested in what we are doing.” And what of the song, Steve? “It’s a very simple vocal – there are some really nice harmonies and then it has a banging bassline.” And what did Steve learn from N*E*R*D*, we wonder? “The guy is a workaholic and you can definitely tell. He doesn’t drink or party, he works 24/7… I was surprised how hard he could focus. And I thought I worked hard.”

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Glow is throwing the ULTIMATE Gloween party!!! The Toolroom Knight aka Mark Knight (who better come dressed as The Dark Knight or we’ll be disappointed ) is coming to DC to throw a spookfest for the ages!!

How does one create a genre of house yet somehow manage not to be pigeonholed into one style? Someone who knows his way around his musical toolbox, that’s who. There is no better choice than Mark Knight for Glow’s Halloween party. His brand of driving, bouncy, soul-scorching house is absolutely PERFECT for this occasion.

We asked him last time he was here about how he attacks the challenge of constructing a flawless set.

“I know what I want to play and I know where I want to take the audience, but the challenge is getting them there in a way that’s pleasing to the ear.”

Mark Knight plans nothing out. He goes with the flow of the crowd. And Gloween, who knows where the night will take us!!!

Bio

Mark Knight’s legacy already ranks him as a leading player in dance music culture. His rise to the forefront has been more than just gigs and remixes; his contribution to the scene via his label Toolroom Records, demonstrates abilities that supercede the glorified title of ‘DJ’.

This year, with a Grammy Nomination for work on the Black Eyed Peas’ multi-platinum album ‘The-End’, 3 of the biggest selling records on Beatport’s ‘Best Sellers List’; ‘Music Matters’ ‘Flauta Magica’ & ‘Good Times’, an IDMA nomination for his Toolroom Knights weekly radio show and a prestigious Beatport award for his single ‘Good Times’ – 2010 has most definitely been a year of colossal achievement.

So where did it all start…

In 2004, with a personal vision for house music, Mark created his own workshop for 21st century dance musicians, Toolroom Records, and with it a new way of thinking.

Since its launch, the Toolroom imprint has developed into an uncontrollable beast, celebrating success as the biggest selling label on Beatport and reaching the milestone of 100 releases in 2009 courtesy of Faithless.

As a producer, Mark has built a reputation for outstanding releases; ‘Man With The Red Face’, ‘Downpipe’, ‘Good Times’, ‘Devil Walking’, consistently topping international dance charts, and has been involved in producing tracks for leading artists, including new output from Faithless and contribution to the latest Underworld album.

And there’s more…

As a DJ, Mark holds international prominence, recognised the world over for his extended 7 hour sets, headlining festivals and clubs from Ultra Music Festival Miami to the Terrace at Space Ibiza.

In 2006, Mark’s belief and desire to inject freshness into a stale club scene, inspired him to programme his own parties, this concept became a reality with the launch of Toolroom Knights at Ministry of Sound, London in October ’06.

Having gained unrivalled success as one of THE superior club nights, Toolroom Knights has gone on to generate great global success and support with Mark headlining Toolroom residencies at Cocoon Frankfurt, Space Miami, Ministry of Sound London, Pacha New York as well as hosting Toolroom arenas at key festivals including; SW4 London, Global Gathering UK, Dance Valley Netherlands.

All in all, it’s been a BIG journey for Mark Knight, pioneering a sound and attitude that’s gained respect from fans and industry people alike hungry for the integrity of Mark’s production skills and quality of Toolroom Knights’ parties. And there’s so much more to come.

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