Past Events Archives - Page 19 of 31 - DC Clubbing

Category: Past Events

Lil Jon: Fri 5/6 [Pop at Ultrabar]

lil jon dc ultrabar pop fridays ultrabar lil jon washington dcPop Nightlife DC presents:

LIL JON

Opening Set by DJ Geometrix

Special Guest DJ in Chroma:
Shah Munir

Friday May 6th
Ultrabar Nightclub DC
911 F st NW Washington DC 20004
Doors Open at 9pm | Ages 18+
Get your tickets now

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lil-jon-ultrabarLil Jon is a living legend of hip hop music, putting out dozens and dozens of club hits that stand the test of time and are an integral part of any party DJ’s set.  His hits include “Salt Shaker” by Ying Yang Twins, “Yeah!” by Usher, “Freek-a-Leek” by Petey Pablo, “Shorty Wanna Ride” by Young Buck, “Shake That Monkey” by Too Short, “Let’s Go” by Trick Daddy, and “Girlfight” by Brooke Valentine, and lets not forget his appearance in SHOTS by LMFAO.

And yes, he’s still on the Celebrity Apprentice!

This Friday will be crazy at Ultrabar

Track/Album
Snap Yo Fingers
Snap Yo Fingers
What U Gon’ Do (Street)
What U Gon’ Do : Feat. Li
Throw It Up (Remix)
Part II (Explicit)
Get Low (Merengue Mix)
Part II (Explicit)

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Main Floor at Ultrabar Nightclub DC
The Main Floor at Ultrabar Nightclub DC

dj geometrix at ultrabar nightclub dcMain Floor: DJ Geometrix
Top 40, Mashups, Hip Hop

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The Basement Vault at Ultrabar Nightclub DC
The Basement Vault at Ultrabar Nightclub DC

DJ MaskellPOP Floor (Vault): DJ Maskell
Pop Dance, Pop House

{tab=Bedroom: NV&Bomba}

DJs NV and Bomba in the Bedroom
DJs NV and Bomba in the Bedroom

Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.

{tab=Chroma: GUEST SHAH MUNIR}

Chroma (3rd Floor): Shah Munir
(opening set by Lion L)

Some might caution the readiness and command of a twenty-two year old.  They might call into question the lack of experience or credentials of such a young artist.  Yet, with Shah Munir, better known as Shahz, such questions are quickly put to rest, and caution eliminated.

His resume reads like a seasoned veteran – from being showcased at esteemed venues such as 1 Oak, Avenue Greenhouse and Marquee in New York City, catering to the A-list crowds in LA, London and Dubai to collaborating with mega-stars from DJ AM, Felix Da Housecat, Fabolous and Sean Kingston, to DJ David Berrie, Maino, Dj Chachi, Wynter Gordon and Trey Songz and having corporate clients such as Cartier and Moet Chandon.

Such international performances and collaborations, as well as his unique talent to understand and adapt to both crowd and setting has made his reputation reverent and his nightly performances unprecedented. Rest assured, this young artist is on the way to achieving great lengths in his future endeavors.

Chroma at Ultrabar
Chroma, the 4th floor at Ultrabar

{tab=Tickets+Passes}

Get Tickets to Pop Nightlife Events
Get your tickets now to guarantee entry and to skip the line.
Print your passes for Pop Fridays at Ultrabar
Or use DC Nightclub passes to get a discount at the door.

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Steve Lawler w/ Darius Syrossian: Thurs 5/5 [Glow at Lima]

GLOW Washington DC presents:

Steve Lawler
ViVA Music

Darius Syrossian

ViVA Music

Thursday May 5, 2011
Lima Lounge 1401 K St NW

Doors Open at 10pm, Ages 18+

{tab=Show Preview}

From: UK

Style: techno

Famous Tracks:Lost, Superfly, 21st Century Ketchup, Out at Night, Sleepwalking, Carnival Kalimba, Femme Fatale, Tanov – Relevant (Steve Lawler Remix)

Best Known For: Hosting the legendary M42 Motorway raves when clubs wouldn’t let him spin as a youth. Leading the way in the UK techno movement. Never succumbing to the pressure to conform. Constant progression.

In a time when the music industry has risen to an all time high; where the swollen pockets of music executives have diluted quality; where the radio has become more vanilla than French ice cream; and the rise of internet distribution has allowed anyone, talented or not, to get their ‘art’ to the masses; Steve Lawler has remained all about the music.

His career has spanned nearly two decades and seen a teen from Birmingham go from throwing illegal parties under a highway to being crowned King of Space, Lawler has made it a point, no, an imperative necessity, to remain true to his forward thinking musical nature.

Now, nearly twenty years after he first threw the first of his legendary M42 motorway parties, Mr. Lawler is still pushing the boundaries of dance, performance and music.

“Performing is addictive, it’s a unique feeling, something that I will never get from anything else in my life. Sharing music that you are passionate about to an audience of people is magical for me.” – Steve Lawler

Experience the magic.

{tab=Bio}

Steve Lawler A child of the acid house generation, has been busy with the beats long
before genres were but a twinkle in clublandʼs eye. An electronic artist who defies generic
boundaries, ever since his days organising the infamous motor way raves under the M42
motor way, in the uk.

As an Artists his releases & Remixes have been signed by some of the worlds most
established Recording labels. R&S Records, Systematic, Drumcode, Harthouse, Cocoon,
MBF, OVUM, Sci+Tec, Tsuba, Souvenir, Rekids, Boxer Sport, Be As One, Monique,
Kostbar, Skint and of course his own recording label VIVa MUSiC.

As a Label Manager Steveʼs label VIVa MUSC (found in 2006), has quickly earnʼt a
reputation for breaking new talent and has featured tracks by such artists as Reboot,
Audiofly, Simon Baker, Jamie Jones, Davide Squillace, Luca Bacchetti, Bushwacka, Livio
& Roby, Dragosh, Leon, Plasmik, Ripperton, ilario Alicante, John Selway, Peace Division,
Bearweasel, Tiefschwarz and of course lawler him self amongst many others and receives
heavy patronage by many House & Techno luminaries.

As for A&R, just ask artists like Simon Baker, Audiofly, leon, Bearweasel and Livio & Roby
and theyʼll tell you all about the support, encouragement and opportunities Lawler has
given them.

VIVa MUSiC works as a culmination of everything thatʼs gone before; from the putting on
the aforementioned illegal raves, to his residency at super club Cream back in the mid
90ʼs. Heʼs remixed high profile artists such as Jamelia, Dido and Justin Timberlake and
worked with many of the worlds renowned dance imprints. As well as recording a track for
the blockbuster horror movie by Ian Softly ʻThe Skeleton Keyʼ. Heʼs released some of the
industryʼs most collectable mix series such as the ʻDark Drumsʼ ʻLights Outʼ and, most
recently, the ʻVIVaʼ series. Now on its 3rd release, the ʻVIVaʼ series has revealed Steveʼs
widescreen vision better than any mix before with down tempo and deep house playing a
big part in the beat blend.

Steve held a triumphant residency for nine years at the Balearic club Space in Ibiza (a club
he returned back to in 2008). His VIVa Nights residency where steve played from doors
open to door close at The End in London consistently sold out for its 7 years span and his
residency at Londonʼs Home Club was one of the infamous venueʼs only success stories.
Dynamic, driven and drastically obsessed with performing as well as he possibly can.
Steveʼs passion for House, Techno and Electronica is too strong for one simple generic
association, and right now his message is louder than ever. 18 years deep and Steve
Lawler isnʼt just at the top of his game, heʼs pushing the boundaries of what a DJ can do –
both technically and creatively – as an artist and as a successful label businessman.

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RECENT RELEASES by Steve LAWLER

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DJ PAULY D: Fri 4/15 [Special Glow Friday at BARCODE]

dj pauly d barcode dc april 15 4/15 glow washington dc pauly d crewGLOW Washington DC presents:

DJ Pauly D
djpaulyd.com/

Opening Set by DJ Saam

Friday, April 15th, 2011
Barcode Lounge
1101 17th St NW Washington DC
Event starts at 9pm, Ages 21+

Pauly D and his crew were just planning to visit DC this weekend, so they called up the Glow crew a few minutes ago to ask if they’d want to do a show.  Glow crew’s response?  Hell yeah!

DJ Pauly D will play this surprise set on Friday, April 15th at Barcode Lounge , DC’s hottest new restaurant, bar, and lounge in the heart of the Golden Triangle. Space is limited, so arrive early to guarantee entry!

Cover: $20
Ages: 21+ (strictly)
Tables: $500 minimum
Nightlife Begins: 9pm

Learn more about Barcode Restaurant, Bar, Lounge on the DC Nightclub Guide.

{tab=Show Preview}

From: USA (Rhode Island)
Style: House, Mash Up, Top 40 hip-hop, rock
Famous Tracks: Beat Dat Beat
Best Known For: Gym, tan, laundry. T-shirt time. The shirt before the shirt. Tossing grenades and stepping on landmines.
America’s Best DJ Rank: 8

Pauly D’s debut performance at Glow was unreal. We were thoroughly impressed by his ability to move between tracks like Far East Movement – Fly Like a G6, Wynter Gordon and David Guetta – Dirty Talk, David Guetta and Afrojack – Louder than Words, Afrojack – Zeggie, Avicii – Bromance and Alcoholic, Sweet Disposition. You see how that goes right there? Yeah you do. That’s called FLOW, and DJ Pauly D has got plenty of it.

We can only assume that with more massive events under his belt comes an even more eclectic track selection and perhaps a widening of the gap on both ends! Like we said in our review of the first event, his ability to introduce mainstream fans to quality house music took our breath away.

This is not Pop. This is GLOW!

{tab=Bio}
Paul “DJ Pauly D” DelVecchio aka. Pauly D was born in Providence, RI on July 5, 1980. His lifelong interest and early passion for music are what sparked his career, that passion brought him right to the top as Pauly is one of the most sought after DJ’s today.

Pauly’s fame rose to a new level in December 2009 when MTV’s highest rated show “Jersey Shore” first premiered. Pauly quickly became a fan favorite known for his impeccable grooming and memorable catchphrases.

In 2010, Pauly released his first single “Beat Dat Beat” with Universal Republic Records which quickly rose up the charts solidifying his place in pop culture. In June 2010 Pauly earned one of the highest honors that can be awarded to a DJ, he was nominated for America’s Best DJ, alongside the best in the business.

Long before his MTV “Jersey Shore” fame Pauly started as DJ, and that is where his passion remains. Pauly started spinning in the club scene at the age of 18 at local spots, and private functions.

Pauly has the incredible ability to control and please a crowd. This world famous DJ is definitely a ladies man to the fullest extreme, any venue he spins at will be packed with beautiful women, dying for a glimpse of him and what he does. He has surpassed the capabilities of most local DJ´s and the vibe he brings is beyond powerful. He strides in keeping the dance floor moving.

Pauly is one of the nation’s favorite DJ’s and is always in high demand. He is a crowd favorite and a true asset to any venue. Pauly continues to tour the world DJing while holding down a Vegas residency.
It was recently announced by Walt Disney World that he will be the featured DJ act in “Disney’s Grad Nite 2011” at Magic Kingdom Park, which Pauly acknowledges is a huge honor.{tab=Video}


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Wolfgang Gartner w/ Harvard Bass: Sat 4/30 [Glow at Fur]

Wolfgang Gartner at Club Glow Washington DCGLOW Washington DC presents:

Wolfgang Gartner
myspace.com/djwolfganggartner
twitter.com/WOLFGANGGARTNER

Harvard Bass

harvardbass.com

Saturday, April 30 2011
Fur Nightclub 33 Patterson St NE
Doors Open at 10pm, Ages 18+

{tab=Show Preview}

From: USA (Texas)

Style: Electro

Famous Tracks: Conscindo w/ Mark Knight, Wolfgang’s 5th Symphony, Illmerica, Animal Rights w/ Deadmau5, Undertaker

Best Known For: Destroying dance floors with electro goodness. Producing banger after banger. Being awesome.

DJ Mag Rank: 70

With eight #1’s on the Beatport charts, a collaboration with Deadmau5, stops at Coachella and EDC, numerous international tour dates and a relentless production and DJ style, it’s no wonder Wolfgang Gartner cracked the DJ Mag top 100 in 2010. The electro thumper from Austin, Texas has been a major contributor in igniting the US house scene. Even though house music was invented in Chicago, it has only recently taken off in the American mainstream. Right now electro artists like Steve Aoki and Wolfgang are carrying the torch.

Gartner’s artist album is set to drop sometime this spring and we’re certain he’s going to light DC nightlife on fire with brand new productions, including that one with will.i.am we keep hearing about!

{tab=Bio}

The name Wolfgang is synonymous with greatness. Name your baby Wolfgang, and he may grow up to be one of the world’s leading chefs, or a member of a seminal band like Kraftwerk or Van Halen. In keeping with that tradition, in less than three years the producer and DJ known as Wolfgang Gartner has gone from strength to strength, with eight #1 tracks on Beatport (including the site’s best-selling track of 2009) and remixes for A-list artists (Black Eyed Peas, Timbaland, Britney Spears), all lauded by peers such as David Guetta, Tïesto, and Pete Tong.

No, with the forename Wolfgang, Gartner’s success shouldn’t surprise anyone. And yet it does. Because that is his stock in trade: surprising listeners. “Right now, I feel like I have a responsibility to advance the genre,” he says. “I have to come up with something completely new, that’s never been done before.”

Just study a couple of Gartner’s smashes to understand how rapidly his game keeps changing. The melody of “Undertaker” is composed from an encyclopedia array of electronic timbres, chopped into succinct, rapid-fire bits, yet solid hooks anchor the whole track; while the record is instantly recognizable, it packs so much information into its grooves it’s impossible for the brain to become overly-familiar with it. “Firepower” opens with a neo-classical melody, gives way to a brief passage of glistening arpeggios reminiscent of Vangelis or Tangerine Dream, then throws down an array of beats that explode in patterned bursts like Chinese New Year.

Yet Gartner isn’t simply an underground sensation. He has played before thousands at events like Coachella and Ultra Music Festival. Black Eyed Peas main man will.i.am has already tapped him for collaborations, he was recently nominated for a grammy, and legendary record executive Jimmy Iovine—who has nurtured the careers of icons ranging from Eminem to Stevie Nicks—has displayed a strong interest in Gartner. The number of requests he gets to remix other artists’ tracks has reached a point where he elects to decline ninety-nine percent of them (“I generally only work with artists for whom I have great respect and admiration”).

Like another famous Wolfgang, Gartner started his artistic experiments at a very young age. As a little boy growing up in California he studied piano, playing both classical and jazz. But it was during a family trip to Tanzania when he was 11 years old that Gartner was turned on to dance music, in the form of a mix tape that featured Kevin Saunderson’s 1988 crossover techno hit “Good Life.” “I heard that track and it completely changed the chemical structure of my brain.” Back home in America, he began making his own forays into the field, producing original tracks on drum machines and keyboards while other kids were off at soccer practice or watching cartoons.
Unlike Mozart, Gartner’s genius didn’t translate into the misadventures of an enfant terrible. Quite the opposite: “I spent all my time with music… alone.” With the onset of adolescence, he began sharing his handiwork with the world. At 13, he procured a set of tape decks with pitch controls and a four track mixer, and started playing basement parties. A year later, he graduated to turntables, and by 16 he’d begun spinning in nightclubs. As a consequence of his well-trained ear, he was particularly attuned to harmony, eschewing the classic rookie mistake of mixing tracks in incompatible keys. “I never wanted to compromise the integrity of the music,” he recalls.

That commitment to the integrity of the music continues to this day. Gartner is meticulous in his approach to crafting new tracks in the studio, contemplating how they’ll sound in different venues and new ways to pitch curveballs at the dance music cognoscenti—without using gratuitous gimmicks. Whereas many producers start with a rhythm track, Gartner is more likely to begin with a melody and a concept, and experiment… and experiment and experiment… until the pieces begin to click. “Music doesn’t just come out of thin air,” he admits. “Inspiration is a natural process.” And it can’t be forced. If you actually take the time to read artist bios on clubglow.com please send an email to ravibayanker@yahoo.com – The first 7 responses will receive a free drink on Ravi at the event.

As he moves forward, Gartner doesn’t want to just advance his art form—he also wants to put a fresh twist on Top 40 fare. “I definitely want to work with pop and rap artists as a producer.” So long as his identity and integrity remain intact: “I want to make what I like making, and if a rapper can rap on it, then great.” With numerous new projects in the pipeline, he still appreciates the distinction between world domination and overexposure. “I’m definitely about quality over quantity,” he concludes. With Wolfgang Gartner, only one thing is certain: his next move is always a surprise. {tab=Video}



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{tab=Tickets & Passes}

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DJ PS1: Fri 4/29 [Pop at Ultrabar]

dj ps1 at pop friday at ultrabar nightclub washington dcPop Nightlife DC presents:

DJ PS1

Opening Set by DJ Geometrix

Friday April 29th
Ultrabar Nightclub DC
911 F st NW Washington DC 20004
Doors Open at 9pm | Ages 18+
Get your tickets now

DJ PS1 – From Dusk Til Dawn

{tab=PS1}

dj ps1 washington dcWith a more than respectable Autumn Top 10 on beatport.com, PS1 has moved into Winter 10/11 with enough heat to melt metal! The Moodswing 360 all-star is one of NY’s brightest stars behind the decks. His impressive resume includes events at Cain, 1Oak and Tenjune as well as being a favorite of Diddy. In fact, it seems as though the paparazzi can’t leave the guy alone.

Paris Hilton comes to his events, says hi on a red carpet in LA, and PS1 ends up front page news in all the celebrity gossip columns. Brittney Spears climbs into the booth and starts making out with him and… well, she does things like that anyway. A favorite of Lindsay Lohan and Mary-Kate Olsen, it’s clear that PS1 has quite the buzz going for him. Spinning since he was 12 and discovered at 16 by neighbor DJ Skribble, the NY fly would prefer all that attention be directed on the party itself. All he wants to do is get behind the decks, throw a rager and go home to his sneaker collection at the end of the day.

Check out the pics from the last time DJ PS1 played at Ultrabar!

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Main Floor at Ultrabar Nightclub DC
The Main Floor at Ultrabar Nightclub DC

dj geometrix at ultrabar nightclub dcMain Floor: DJ Geometrix
Top 40, Mashups, Hip Hop

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The Basement Vault at Ultrabar Nightclub DC
The Basement Vault at Ultrabar Nightclub DC

DJ MaskellPOP Floor (Vault): DJ Maskell
Pop Dance, Pop House

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DJs NV and Bomba in the Bedroom
DJs NV and Bomba in the Bedroom

Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.

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Chroma at Ultrabar
Chroma, the 4th floor at Ultrabar

dj lion lChroma (3rd Floor): Lion L
Mashups, Dance, House

{tab=Tickets+Passes}

Get Tickets to Pop Nightlife Events
Get your tickets now to guarantee entry and to skip the line.
Print your passes for Pop Fridays at Ultrabar
Or use DC Nightclub passes to get a discount at the door.

{/tabs}

Sander Kleinenberg w/ Pleasurekraft: Thurs 4/28 [Glow at Lima]

GLOW Washington DC presents:

Sander Kleinenberg
sanderkleinenberg.com myspace.com/sanderkleinenberg

Pleasurekraft
twitter.com/pleasurekraft
soundcloud.com/pleasurekraft

Thursday, April 28 2011
33 Patterson St NE
Washington DC
Doors Open at 10pm, Ages 18+

{tab=Show Preview}

From: Holland

Style: Tech/House

Famous Tracks: This is Miami, The Fruit, My Lexicon, This is Our Night, RYANL (Rock You all Night Long),

Best Known For: Pioneering VDJing

He has taken video DJing to the next level, produced some of the most cutting edge tech-house on the market and certainly knows how to live it up at Glow.

“Video DJing to me is one of the new ways to get across what I’m doing. The art of DJing has been elevated to a whole new level, and combining all these disciplines is exciting. It keeps me inspired.”

Sander’s 5K album was the culmination of roughly a decade of thoughts, ideas and inspiration from one of dance music’s most respected artists. Co-crafted with Josh Gabriel, Sander pushed the envelope in 2010 with the unique album, transcending genre and leaving it all on the record. Techno, house, rock, folk, 5K is soulful music. A true representation of Sander K the artist.

The last time Sander was at Lima Lounge the roof nearly came off. The last time he was at Fur the party made its way into the booth. We’re bringing it back to Lima this time so Sander can focus all that energy into the intimate confines of DC’s top club venue. {tab=Bio}
Superstar Dutch DJ and producer Sander Kleinenberg has built his international reputation on an ability to create different atmospheres, for myriad crowds, at venues all over the world.

Kleinenberg is not only an artist who declines to stick to a single, easily defined sound, he also utilizes more than one medium to create a night out. Long at the forefront of integrating video imagery and other visuals in his VDJ sets, Sander includes Pioneer among his sponsors for these innovative performances. The manufacturer has been involved with outfitting select clubs around the world with the SVM-1000 audio-visual mixer (which Kleinenberg helped develop), DVJ players, plasma televisions, and other custom video installations exclusively for his performances.

Integrating music and images single-handedly requires sharpened skills and on-the-fly invention. “Now, in the process of DJing, I am in control of another dimensions. The thought processes are not just about music; there is a visual element as well.” Which allows his to shape his identity, and stimulate crowds, in a host of fresh ways. “This is a whole new way of looking at what you do creatively. In the end, that is very challenging. It makes you more versatile as well. I love keeping on my toes.”

Sander will continue to show off his aesthetic flexibility at residencies around the world during the course of the year, including Pacha in Ibiza, Avalon in Los Angeles, Ministry of Sound in London, and Paradiso in Amsterdam. Each of these gigs affords him unique creative opportunities; the exclusivity and luxury of Pacha elicits different impulses from him than the storied, historic Avalon, pristine sound quality of the Box main room at Ministry of Sound, or the iconic pop temple status of Paradiso for example. Which is how he likes it. “Residencies are like laboratories: You can go in and experiment. As you get to know the sound system and the clientele, and become comfortable, you have more faith in each potential change of direction.”

Kleinenberg is also hitting the summer festival circuit, with performances scheduled at Global Gathering, SW4, Exit Festival, Extrema Outdoor, Lovelands and more to be announced.

So his calendar is jam-packed. But for Sander, there is always still more to do. The head of his own Little Mountain Recordings label, and a producer of sublime original tracks that elude being easily date-stamped, Kleinenberg plans to tap into all the facets of his creativity for his debut artist album, which he has been working furiously in the studio to complete over the past year with the one and only Josh Gabriel. “I am working on a definitive document,” he hints. “I want to create a real landmark, both visually and musically, where I say, ‘This has been my journey over the last twenty years… and this is where I am now.'” {tab=Video}

{tab=Music}

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{/tabs}

George Garcia & Matt Goldman: Sat 4/23 [Glow at Fur]

GLOW Washington DC presents:

George Garcia

myspace.com/djgeorgegarcia/

Matt Goldman

twitter.com/mattgoldman15

Saturday, April 23 2011

Fur Nightclub

33 Patterson Street NE

Washington DC

Doors Open at 10pm, Ages 18+

{tab=Show Preview}

From: George: New York, NY | Matt: Baltimore, MD

Style: George: House, electro, mash-up | Matt: house, uplifting house, tech

Best Known For: George: Taking the trendy club scenes in NY and DC by storm with his open-style of house mash-ups | Matt: With only a year and change under his belt Matt has opened for Kaskade, Avicii, Afrojack in Spain, Dirty South, Max Vangeli and David Berrie.

From NY to DC nightlife, but he didn’t have to take the Chinatown bus… George Garcia arrived at GW in 2006 on the back of a business degree, a pair of cleats and a mixer. He took no time in diving into the local house circuit. Within two years he found himself running parallel with those Chinatown buses, working residencies in NY at Azza Lounge and D’or as well as spinning here in The District. It was around that time he hung up the cleats and let the bass take over.

2009 saw George spinning everything from a Playboy fashion show to a US Tennis Association after party. He spun celebrity parties for everyone; Wimer Valderamma to Wu-Tang; Sean Kingston to Ovi. 2010 saw him spinning at Glow. It’s about time he headlined Fur!

Matt Goldman is climbing the ladder to success, escalator style. From the moment he got behind the 1s and 2s it was clear he had a natural affinity for spinning records. In just over a year he has gone from complete unknown to opening for Afrojack (in Spain), Avicii, Kaskade, Max Vangeli and David Berrie. He is the quintessential example of how combining time, a focused effort and networking can yield amazing results. He doesn’t push too hard, he lets his music do the talking. He is spinning at Glow because he comes highly recommended. We listened to his mixes, the music doesn’t lie. Matt Goldman is proof that ‘making it’ doesn’t entail guerilla promoting through facebook or shoving demos in someones face. It is the result of cool, calm and collected networking combined with intense training. You want to arrive early for this.

{tab=Bio}

GEORGE:

Hanging up his cleats and bidding farewell to the soccer field, George Garcia has found another way to entertain and impact masses of people. George has become one of the younger, more recognized DJ’s in the scene and is not taking his pedal off the gas anytime soon. Couple together a love and appreciation for all music with an adrenaline filled desire to bring joy to people, and you pinpoint what shape his performances and have gained him recognition.

George found his relationship with music early on in life by being an active part of his family parties and being raised in an energetic, happy environment that embraced music at all times. He was first exposed to music and Latin rhythms as a child. Having his father as the main source of entertainment at parties, whether it be dancing or making sure that everyone was always on their feet, taught George to always keep the people moving. At the age of 13 George began DJing alongside friends for graduation parties, sweet sixteen events, bar mitzvahs, weddings, and house parties. As George grew older he began to perform and travel to different places, performing at private events and competitions to develop recognition for the sole purpose of providing people with a reason to move and dance.

In 2006, George made the decision to attend the George Washington University and enroll in the School of Business. By moving to Washington D.C., he embraced a new crowd, a new environment, a new scene, and a new city full of listening ears. George wanted to take advantage of this and make an impact right away. He took his first steps in D.C. by spinning at venues such as KStreet Lounge, Eyebar, Lotus, Five, and Indebleu now known as STIR. The reaction and warmth from the crowd is what first impacted George and motivated him to produce the energy that he does with his music.

With clubs in his hometown of New York such as Pacha NY, Cielo, Kiss & Fly, 1Oak & Central being his main influences, George was presented with the blueprint for an enjoyable & energetic performance. The summer of 2008 triggered the success that George has been able to have. Holding his first residencies at Azza Lounge & D’or in New York presented George with the opportunity to travel between New York & Washington to perform. That summer is when George decided to put his life-long passion of playing soccer to pursue music professionally and to fulfill his long desired dream of being an artist. DJs such as Erick Morillo, Victor Calderon, DJ AM, Robbie Rivera, DJ Berrie, Richie Santana, Steve Angello, Sebastian Ingrosso, DJ Enferno, David Guetta & DJ Camilo have been among the major influences in George’s career and style. These influences, along with his love for house music, feeding off the sensation of the crowd, his Latin energy, and addiction to drums have contributed to George’s unique style that have gotten him where he is today: able to make any crowd put in front of him move.

George has provided the entertainment for events such as Playboy Swimwear’s Fashion show, Inaugural Events during the 2009 Inauguration, Buzzing 4 Change –Cancer Fundraiser, and the USTA Tennis Final after party. George has performed for artists such as Sean Paul, Sean Kingston, Busta Rhymes, Wilmer Valderrama, Clinton Portis, the Wu-Tang Clan, Antawn Jamison, Michael Jordan, Rosario Dawson, and Alexander Ovechkin. George began his career in New York City in 2008 as resident at New York hotspots Azza and D’or & currently maintains residencies at the hip & trendy lounge La Zarza, as well as Su Casa. In Washington, he maintains residencies at renowned venues such as Josephine, KStreet, Current, Spot, & Stir. Since 2008, George has performed in New York at venues such as Hudson Terrace, Room Service, Greenhouse, Su Casa, Aspen Social Club, 49 Grove, D’or, Highbar, La Zarza, Corio, Azza, Anchor Bar, Central, & Cavo. In Washington, George has performed at Josephine, Napoleon, Spot, KStreet Lounge, Park at 14th, Stir, Five, Lotus, Andalu, Current, Eyebar, Donovan House Roof Terrace Champions, Left Bank, Heaven & Hell, and many more. George has also been mentioned in newspapers such as the New York Post and the Times Ledger. Along with being a deejay, George is also one of the original founders of, EZeeDJ, established in the summer of 2009.

MATT:

At just 22 years old, Matt Goldman has quickly emerged as one of the most skilled up- and-coming DJs on the East Coast. In just over a year, this self-taught musician has made progression that is unparalleled in such a short amount of time.

Growing up in Baltimore, Maryland, it wasn’t until he started college that he was introduced to house music. In fact, he grew up playing the piano and listening to classic rock; The Beatles, The Who, and The Rolling Stones. “When I was introduced to house music my freshman year, I immediately fell in love. It was totally different than anything I had listened to throughout my entire life. I was so intrigued and I wanted to learn everything I could about the genre, so I did.”

At that time, however, he was still just a listener. “I always thought about it, but it was only a little over a year ago that I finally decided to learn how to DJ. I used a simple MIDI controller and spent countless hours each day practicing and learning the fundamentals of DJing. Fortunately, I picked it up pretty quickly, and it was clear to me early that I had a chance to be successful.”

In just one year, Matt has repeatedly landed himself performances at some of the hottest nightclubs on the East Coast; Eden (D.C.), Fur (D.C.), Mosaic (Baltimore), and monthly bookings at the famed Pacha (NYC). He has played alongside some of the biggest names in house music, including Kaskade, Dirty South, David Berrie, Avicii, and Afrojack. For Matt, it’s all about the music, and this has been the true key to his success.

In November 2010, Matt’s “November Mix”, which includes tracks from Avicii, Dirty South, Axwell, and many others, became a huge viral success, receiving over 4,000 downloads in its first week. He has been featured on blogs such as Chubby Beavers, The Campus Socialite, Vinyl Penetration, I Can Give You House, Big10HouseMafia, and Club Planet.

Don’t let the big-name selection of artists on his podcast fool you though. Matt’s real passion lies in the underground subgenres of the house music world. No set would be complete without a strong presence of unknown gems amongst the widely accepted crowd pleasers. The smoothness of his transitions is unmatched and his work ethic is tireless. There’s a lot to expect from Matt in 2011 as he brings his passion for house music to clubs all over the world, with upcoming bookings in Indiana, Barcelona, Rome, Florence, and Punta Cana.

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George Garcia at KStreet Lounge (Pt. 2)


George Garcia at Dior

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Winter Mix by Matt Goldman

DJ George Garcia – oE.Lectric Fairytale by DJGeorgeGarcia

Live @ Pacha NYC 8/27/10 by Matt Goldman

DJ George Garcia – oE Summer Prescription by DJGeorgeGarcia

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DJ Enferno + David Berrie: Friday 4/22 [Pop at Ultrabar]

dj enferno dj david berrie ultrabar dc pop fridaysPop Nightlife DC presents:

DJ Enferno
www.djenferno.com

David Berrie
www.davidberrie.com

Opening Set by DJ Geometrix

Friday April 22nd
Ultrabar Nightclub DC
911 F st NW Washington DC 20004
Doors Open at 9pm | Ages 18+
Get your tickets now

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DJ Enferno (Main Floor)

dj enferno stockThe legend himself DJ Enferno returns to the place that started it all, ULTRABAR! Back in the day, Enferno was an Ultrabar Nightclub resident DJ, bangin’ out the best tunes every week and tearing up the dancefloor. His talents were noticed by some big names, and soon he found himself touring globally with Madonna as her official DJ on the Sticky and Sweet tour!

His mixes are killer, his productions are bangin’, and his skills are unquestionable. Enferno is the master of the beat, and electrifies the dancefloor wherever he goes. Whether is a small nightclub or a massive stadium with 75,000+ people, Enferno lights it up!

Now he returns to his old stomping grounds to rip it up once again! So get the old crew together and come out to party at Ultrabar Nightclub DC!

David Berrie (Chroma)

Just signed to Ultra Records, David Berrie has been blowing up the club scene across the United States and around the world! From his humble beginnings as a basement DJ, he’s come a long way. Today he’s playing at huge clubs like Tao, Webster Hall, and Liv Miami. He plays for major corporations like GQ and Vogue, and rubs elbows with Diddy, Kanyke, 50 Cent, and more.

The son of famous toy manufacturer Russell Berrie, David grew up with the opportunity to do anything he wanted… including nothing. He took piano and violin lessons early on, eventually landing at something a bit cooler, turntables.

Inspired by NY icons like Louie Vega, Danny T, A Tribe Called Quest and De La Soul; by 16 Berrie had honed his skills and was sneaking out of the house to spin at small clubs in Manhattan. From there it was cake.

Been There, Done That: Having performed events for Diddy, Giselle, GQ and Esquire, Berrie’s inner talent eventually came bursting out. With all that instrumental training and all that NY influence, it was only a matter of time before he traded the posh VIP scene for the infectious, let it all hang out world of electronic dance music.

Latest tracks by davidberrie

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Main Floor at Ultrabar Nightclub DC
The Main Floor at Ultrabar Nightclub DC

dj geometrix at ultrabar nightclub dcMain Floor: DJ Geometrix
Top 40, Mashups, Hip Hop

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The Basement Vault at Ultrabar Nightclub DC
The Basement Vault at Ultrabar Nightclub DC

DJ MaskellPOP Floor (Vault): DJ Maskell
Pop Dance, Pop House

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DJs NV and Bomba in the Bedroom
DJs NV and Bomba in the Bedroom

Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.

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Chroma at Ultrabar
Chroma, the 4th floor at Ultrabar

dj lion lChroma (3rd Floor): Lion L
Mashups, Dance, House

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Morgan Page: Thu 4/21 [Glow at Lima]

Morgan Page at GlowGLOW Washington DC presents:

Morgan Page
morgan-page.com facebook.com/morganpage

Opening Set by Roberto Gonzalez

Thursday, April 21 2011
Lima Restaurant & Lounge
1401 K St NW Washington DC
(202) 789-2800
Doors Open at 10pm, Ages 18+

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From: USA (Vermont)

Style: progressive, vocal house

Famous Track: The Longest Road, Fight for You, Nadia Ali – Fantasy (Morgan Page Remix)

Best Known For: Being a ridiculous engineer and a 2011 Grammy nomination for his Fantasy remix.

Fresh off a 2011 Grammy nomination for his remix of Nadia Ali – Fantasy (click the music tab for the music video!), American progressive dance master Morgan Page is back in DC to continue what he started in January. Glow’s first booking of the year, Morgan gave us the kick start we needed to head into an amazing 2011.

The highly sought after producer and remixer – whose recent remixes include tracks for Adam Lambert, La Roux, Madonna, and Katy Perry – has developed a style all his own, merging punchy beats with strong melodies and structure that connects with dance music veterans and newcomers alike.

With everything from La Roux to Avicii and Sebastian Ingrosso; Afrojack to Way out West and Dresden & Johnston in his set lists, Morgan Page brings a flare for the smooth, progressive, melodic style of dance music taking over the world!
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With over 110 remixes to his name—including tracks by Madonna (“Miles Away”), Katy Perry (“I Kissed A Girl”), Tegan & Sara (“Back In Your Head”), and La Roux (“Bulletproof”)—Morgan Page has earned a solid reputation for transferring insatiable pop energy to the dance floor in the form of banging, progressive house tracks. High ranking spots on iTunes’ dance chart, Beatport’s progressive chart, and Billboard’s club charts affirmed his salability, while an ’09 Grammy nomination for Deadmau5’s remix of Page’s “The Longest Road” simultaneously bolstered his underground cred while spotlighting his skills as a songwriter.

Page released his first official full-length album in 2008. Entitled Elevate, it featured remixes of music by The Submarines, Dengue Fever, Nelly Furtado, Delerium, and others, along with a small handful of Page’s originals. It was the perfect calling card for a producer well steeped in vocal re-rubs, but eager to imprint his own unique mark upon dance music.

Earlier this year, Page released Believe, a powerful, captivating album that makes good on his International Dance Music Awards nomination as Best Breakthrough Artist, and typifies his journey from bootleg remixer to award-winning producer and world renown DJ.

“Believe took a year and a half to make, but it was worth it!” says Page. “I went to great lengths to make songs I felt will last a long time, and to create an album you want to listen all the way through. It’s easily my best work so far.”

As a college student and mix show radio DJ in Burlington, Vermont, Page learned to navigate the space between pop music’s accessibility and the heady minimalism of progressive house early on. At the age of 18 he was nominated for Boston Music Award, and early in his career produced a remix of “Angels,” a track by seminal trip-hop band Wax Poetic, featuring the vocals of one Norah Jones. The dance community was quick to catch on, and his first instrumental tracks were signed to taste-making imprints like John Digweed’s Bedrock, Satoshi Tomiie’s Saw Recordings, and James Zabiela’s Hearing Aid. In 2003, he made the move to Los Angeles.

“I was juggling remixes with a day job, then brewing coffee at midnight,” says Page, “burning the candle at both ends and saving money so I could write music full-time.”

The landscape dramatically shifted for Page when he released a now infamous collection of bootleg remixes in 2005 entitled Cease And Desist. Without the help of master tapes (or label permission) he extracted a cappellas and signature melodies from tracks by David Bowie, Coldplay, Imogen Heap, Esthero, and The Kills with surgical precision, then rounded out the sound with luminous instrumentation and blazing beats. His undulating progressive feel and strict attention to kit detail—never the same kick drum twice, ever—was a perfect compliment to the larger than life vocal hooks. Dance music blogs like Resident Advisor and Beatportal took note, and Page’s own server continually crashed under the weight of the mix’s download traffic.

“It was like going to boot camp,” says Page of the arduous process behind creating Cease And Desist. “It was a great way of getting good at editing with limited resources, and it got out to so many people. You just didn’t know who was listening to it.”

Everyone from DJs and producers to managers, agents, and of course fans got their hands on the album, and its underground success helped pave the way for music future placements in television shows like Samantha Who? and Melrose Place, as well as cutting edge campaigns and in-stores for Bebe, Chanel, and Sephora. With his resume and repertoire quickly expanding, Page struck again with the release of Elevate, an album that KCRW DJ and electronic music pundit Jason Bentley described as “a breakthrough collection of original music and remixes” full of “subtle electronics and thoughtful songs.” Jo-Anne Greene from All Music Guide was even more forthright in her praise, referring to Page as “a man fast becoming a legend.”

Having long jettisoned his status as an up-and-comer, Page is ready to step into the next phase of his career, firmly joining the ranks of established “triple threat” DJs, producers, and remixers like Kaskade, Deadmau5, and Eric Prydz. It’s no surprise that the dance music scene is already buzzing about Believe.

“Fight For You” is the album’s first single, and is already being supported by world class DJs like Tiësto, Armin van Buuren, Above and Beyond, Dave Dresden, and Hernan Cattaneo. Bolstered with impassioned lyrics and swift, clean guitars, the track embodies Believe’s fragile yet faithful feel, pushing through wistful cinematic shades to the promise of something better up ahead.

“Believe is very dark, but I’m not a dark person at all,” Page explains. “I just lean towards these specific chords and melodies. Melancholy with a little bit of hope.”

The Pete Yorn cover “Strange Condition,” a simple, spatial arrangement that highlights Page’s ability let his vocalists control the direction of a song, and not be driven towards emotional peaks and valleys by just synths and bass. Page uses a similarly subtle approach on “Tell Me Why,” featuring the velveteen vocals of Télépopmusik’s Angela McCluskey. Elsewhere, Page enlists the talents of Matt Alber on “Agnus Dei” and Gabriel & Dresden alum Jan Burton on “Traces Remain” and the raucous “I’ve Had Friends.” On the moody “In The Dark,” Page himself takes a turn on the mic at the urging of another G&D contributor, Molly Bancroft, who was initially tapped to provide the vocals. For Page, it was simply the next logical progression in his maturation as a producer.

“I want to work with singer/songwriters who have depth to their lyrics, and I’m trying to bring influences in from other genres,” says Page. “It’s tragic to see all the tracks on Beatport that are just made for clubs. They’re great for what they are, but it’s not necessarily something you want to have in your car on repeat, or listen to again in 10 years. This album is really a reflection of myself, and I want these songs to last a long time.” {tab=Video}


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Robbie Rivera: Sat 4/16 [Glow at Fur]

Robbie Rivera at GlowGLOW Washington DC presents:

Robbie Rivera
Juicy Music // robbierivera.com
myspace.com/robbierivera

Opening Set by Roberto Gonzalez

Saturday, April 16 2011
Fur Nightclub
33 Patterson Street NE
Washington DC
Doors Open at 10pm, Ages 18+

{tab=Show Preview}

From: Puerto Rico/Miami

Style: House, juicy house

Famous Tracks: Float Away, Closer to the Sun, We Live for the Music, Back to Zero, Girlfriend

Best Known For: Throwing the best party year in and year out at WMC… Juicy Beach.

With WMC and Ultra Fest right around the corner, Robbie Rivera is gearing up for Miami’s #1 beach party. Juicy Beach @ Nikki Beach is the hottest thing south of DC. The 2011 line up includes Robbie, Tocadisco, Joachim Garraud, Thomas Gold, Pleasurekraft, George Acosta, EDX, Marcus Schossow and more!

Every time the father of Miami house hits DC nightlife the club erupts to the uplifting spirit of Robbie’s signature Miami-style house.

This event is not to be missed. Come on out and SQUEEZE that JUICE!!! {tab=Bio}
Robbie Rivera, born in 1973 in San Juan, Puerto Rico, had his first encounter with music when he was only 10-years-old. Buying records from acts like New Order, Depeche Mode and U2, it wasn’t long before he started spinning records. “I was 13 and had two turntables and a mixer,” he says. “I did not know what beat mixing was until it happened accidentally. I taught myself.”

While improving upon his mixing skills, he took his first steps in producing music the old fashioned way. Said Rivera, “When I was about 15 years old, the richer kids had the instruments. One of my friends let me use his Roland drum machine all the time and he eventually gave it to me. I also had a real drum kit in my room.” Steadily, he moved on. “I was sequencing beats at 16 and doing my own edits of tracks using a two track reel-to-reel machine.” He continues, “Yes, it was real tape-splicing editing, back the! Definitely not computer kid’s stuff!”

In 1992, Robbie moved to Miami, and in 1996, he released his first record, a real Latin house track on Juicy Music, titled, “El Sorrullo.” The track lead to an endless string of productions which were released on established labels like Subliminal, Filtered, Positiva, Mos, Azuli and Strictly Rhythm. His music was licensed everywhere. “My track, ‘Bang,’ was my first crossover hit, and cuts like “Sex” and “Funkatron” were huge for me at that time. I consider it a highlight in my career that ‘Funkatron’ was used for the closing of the Victoria’s Secret winter fashion show on CBS-TV, while ‘Bang’ reached #13 on the UK charts and made it to the ‘Top 10′ in Australia.”

All of this success pushed Rivera towards an important step. He said, “I had to continuously shop my music everywhere, and I got tired doing that. That’s the reason, in 1998, I officially established my own label, Juicy Music.” The label also gave Rivera the tools to identify Juicy Music’s philosophy. In Rivera’s own words, the Juicy Music sound is, “Tough, sexy, house music!” Nineteen-ninety-eight was also the fortuitous year Rivera wed his long-time sweetheart and current business partner, Monica Olabarrieta. Together, they run the Juicy Music imprint.

Rivera’s first big name remix for Faithless, “Bring My Family Back,” introduced him to an ever growing audience. Many remixes followed, and artists like Felix Da Housecat, Madonna, Kylie Minogue, Gabriel & Dresden, Moloko, Bob Sinclar, Benny Benassi, Sinead O’Connor, Ferry Corsten, Ricky Martin, Santana, Steve Angello, Coburn, Superchumbo, David Guetta, Tocadisco, Pink and Basement Jaxx came clamoring to enlist Rivera’s prowess.

Rivera released his first artist album, Do You Want More, which became an acclaimed success. The cut, “Which Way You’re Going” hit the Billboard chart, while his big room anthem, “Float Away” (re-released in 2007) became a global big-seller.

In 2008, Rivera’s appropriately titled second artist album, Star Quality, was cruising on the dance charts and was picked up for major global releases later that year. The album included, “Back to Zero” and “Move, Move,” two tracks that were favored by fellow big hitters such as David Guetta, Paul van Dyk, Tiësto and Rivera himself, whose crowds sing along to the melodies. The two huge tunes gained traction at WMC (Winter Music Conference) and went on to have music fans humming all summer as they appeared on that year’s most popular mix compilations: Cream mixed by van Dyk, F*** Me I’m Famous by Guetta, Pure Pacha by Pete Tong, Gatecrasher, and Juicy Ibiza mixed by Robbie Rivera. Other releases like, “Aye, Aye, Aye” feat. C+C Music Factory, “One Eye Shut” feat. Laura Vane, and “Escape,” also form part of Rivera’s impressive repertoire since their release.

Rivera’s distinctive brand of sexy, pounding, dirty, electro-tinged house music ignites dance-floors across the globe, while the world’s top artists queue up to have Robbie put his sound to their tracks. Touring nonstop, Rivera’s music regularly packs dancefloors throughout Ibiza, Barcelona, South America, Poland, Puerto Rico, NYC, Brazil, Los Angeles, Chicago, London, Asia, Italy, Tunisia, Canada, Moscow, Australia, Vienna, and of course, his hometown of Miami.

An unabashed workaholic, Rivera is busy in his recording studios when not touring. He incorporates the sounds he hears on-the-road into his music. But the jewel in Rivera’s crown is his label, Juicy Music. Juicy Music’s roster includes artists as diverse as: Antoine Clamaran, Coburn, Superchumbo, Mark Knight, David Guetta, Steve Angello, Sebastian Ingrosso, Stonebridge, and emerging talent, such as Willie Morales, Paul Harris, Louie Padilla, Rooster & Peralta, and DMS12.

Since 2005, Rivera and his wife and business partner, Monica, have been the driving forces behind the world-renown Juicy Beach party at WMC in Miami each March. The 17-hour events at Nikki Beach Club attract a cast of over 7,500 clubbers as well as A-list DJs, and the party has gone on to become one of the week’s most successful events. Likewise, the Juicy Ibiza parties in Ibiza welcomed up to 6,000 clubbers at Amnesia’s beautiful terrace in years past and at Privilege in 2009. The Juicy brand is expanding to new territories, including: within the U.S. (i.e. New York, Los Angeles, Chicago); the UK; and Spain, with new locations being added.

Rivera was voted “Best House Producer” by Beatport and “Best Remixer” by the IDMA Awards (International Dance Music Awards) in 2008. In 2009, Rivera released the fourth Juicy Ibiza compilation, and the release hit the ‘Top 5′ in iTunes sales globally, buoyed by the record deals with Black Hole Recordings and Ultra Records. With a residency at Privilege in the summer of 2009, Rivera saw success with the release of his latest artist album, Closer To The Sun (Ultra/Black Hole). The album garnered critical praise and a great deal of media attention within the U.S. and internationally, with hit singles that included “Closer To The Sun,” “Let Me Sip My Drink” feat. Fast Eddie, “Rock The Disco” and “We Live For The Music.” Those tunes succeeded at radio, on the dancefloor, and also thrived amongst fellow DJs in their respective record crates. Additionally, Rivera’s remixes for Nelly Furtado’s “Manos Al Aire” and Basement Jaxx’s “Raindrops” have also been hammered by Tiësto, Yazz, and the Plastik Population. It’s 2010, and of his plans for the rapidly approaching future, Robbie Rivera has only this to say, “I’ll keep making quality music! Period.”
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