DJ Pauly D | Saturday January 29 | Fur
DJ Pauly D
djpaulyd.com/
Opening Set by DJ Spaz
Saturday, January 29 2010
Fur Nightclub
33 Patterson St NE Washington DC
Doors Open at 10pm, Ages 18+
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From: USA (Rhode Island)
Style: House, Mash Up, Top 40 hip-hop, rock
Famous Tracks: Beat Dat Beat
Best Known For: Gym, tan, laundry. T-shirt time. The shirt before the shirt. Tossing grenades and stepping on landmines.
America’s Best DJ Rank: 8
Pauly D’s debut performance at Glow was unreal. We were thoroughly impressed by his ability to move between tracks like Far East Movement – Fly Like a G6, Wynter Gordon and David Guetta – Dirty Talk, David Guetta and Afrojack – Louder than Words, Afrojack – Zeggie, Avicii – Bromance and Alcoholic, Sweet Disposition. You see how that goes right there? Yeah you do. That’s called FLOW, and DJ Pauly D has got plenty of it.
We can only assume that with more massive events under his belt comes an even more eclectic track selection and perhaps a widening of the gap on both ends! Like we said in our review of the first event, his ability to introduce mainstream fans to quality house music took our breath away.
This is not Pop. This is GLOW!
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Paul “DJ Pauly D” DelVecchio aka. Pauly D was born in Providence, RI on July 5, 1980. His lifelong interest and early passion for music are what sparked his career, that passion brought him right to the top as Pauly is one of the most sought after DJ’s today.
Pauly’s fame rose to a new level in December 2009 when MTV’s highest rated show “Jersey Shore” first premiered. Pauly quickly became a fan favorite known for his impeccable grooming and memorable catchphrases.
In 2010, Pauly released his first single “Beat Dat Beat” with Universal Republic Records which quickly rose up the charts solidifying his place in pop culture. In June 2010 Pauly earned one of the highest honors that can be awarded to a DJ, he was nominated for America’s Best DJ, alongside the best in the business.
Long before his MTV “Jersey Shore” fame Pauly started as DJ, and that is where his passion remains. Pauly started spinning in the club scene at the age of 18 at local spots, and private functions.
Pauly has the incredible ability to control and please a crowd. This world famous DJ is definitely a ladies man to the fullest extreme, any venue he spins at will be packed with beautiful women, dying for a glimpse of him and what he does. He has surpassed the capabilities of most local DJ´s and the vibe he brings is beyond powerful. He strides in keeping the dance floor moving.
Pauly is one of the nation’s favorite DJ’s and is always in high demand. He is a crowd favorite and a true asset to any venue. Pauly continues to tour the world DJing while holding down a Vegas residency.
It was recently announced by Walt Disney World that he will be the featured DJ act in “Disney’s Grad Nite 2011” at Magic Kingdom Park, which Pauly acknowledges is a huge honor.{tab=Video}
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Get tickets for this event NOW on wantickets.com/clubglow to guarantee entry, skip the General Admission line, and get an early bird discount.
Or print out General Admission discount passes here.
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DJ Vice | Friday January 28 | Ultrabar
Straight outta Vegas, PoP! Nightlife 2011 Special Guest DJ Vice arrives at Ultrabar on Friday January 28, 2011 to give DC nightlife a heavy dose of Sin City! With collaborations with Lady Gaga, Pharrell, Timbaland, Mariah Carey, and more; the only real question that needs asking is, where’s the after party?
Vice took his radio skills to the clubs of LA, including Hard Rock, LAX and Vanity. He eventually landed up in Sin City with residencies at Tao and Lavo. He later added residencies at Mur Mur Atlantic City, Liv Miami, Playhouse Hollywood and Avenue NYC.
Ultrabar nightclub features 6 bars, 4 dancefloors, and 4 djs to really fire up the night. Take a look at the lineup!

Main Floor: DJ Geometrix
Top 40, Mashups, Hip Hop
POP Floor (Vault): DJ Maskell
Pop Dance, Pop House
Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.
Chroma (3rd Floor): Lion L
Mashups, Dance, House
(GET TICKETS HERE to Guarantee Entry and to skip the General Admission line)

EDX | Thursday January 27 | Lima
GLOW Washington DC presents:
EDX
facebook.com/EDXmusic myspace.com/djedx
Opening Set by Roger Samuel
Thursday, January 27 2011
Lima Restaurant & Lounge
1401 K St NW Washington DC
(202) 789-2800
Doors Open at 10pm, Ages 18+
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From: Switzerland
Style: Progressive, vocal house
Famous Tracks: Don’t Stop Dancing (w/ Kaskade), Out of the Rain, Dubfire – Roadkill (EDX’s Acapulco At Night Remix), Party of Politics, Shy Shy (Club Mix)
Best Known For: Amazing remixes. He even remixed Lauryn Hill… and we all know how picky she is.
EDX really can give anyone out there a run for their money when it comes to remixing. His ability to turn anything into a smooth, melodic, uplifting gem is often imitated and never duplicated.
Beatport’s top 3 house aritsts of 2009: Deadmau5, Eric Prydz and EDX. Good company, right?
2010 saw EDX all over everything. With remixes, productions and featured appearances on tons of compilations, the Swiss-based DJ/producer has quickly become one of the most in demand artists in the world.
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Productive and successful for more than a decade, Italian native artist, producer, DJ and multi-talent EDX first hit peoples radars in 1994 with various mix tapes that within weeks had circulated around the globe. With his new found fame EDX quickly climbed up the ladder of recognition with labels and producers asking him to sprinkle his remix magic touch onto their releases.
EDX’s remix CV is impressive to say the least with remixes on the likes of Deadmau5, Mary J Blige, Bob Sinclar, Axwell, Armand van Helden, Steve Angello, Roger Sanchez, Laidback Luke, Armin van Buuren, Kool & The Gang, Kaskade, Funkagenda, Lauryn Hill, to name but a few.
2009 saw his remixes consistantly feature in the various charts such as the DMC Buzz, Cool Cuts and Beatport charts which culminated in him featuring the TOP 3 for Beatport’s Best Progressive House Artist of 2009 alongside Deadmau5 and Eric Prydz.
EDX’s crazy DJ schedule has taken him around the World and back again playing to crowds in excess of 60,000 where you would hear his remixes/productions also being played by the likes of of David Guetta, Armand Van Helden, Erick Morillo, Armin van Buuren, Swedish House Mafia, Roger, Sanchez, Axwell, Deep Dish, Michael Gray, Alex Gaudino, Tiesto Etc..
With his star already shining The EDX success story looks set to soar in 2010 productions/remixes coming out on various labels.
Is it any wonder dance music bible Mixmag hailed him as a “GENIUS”
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Get tickets for this event NOW on wantickets.com/clubglow to guarantee entry, skip the General Admission line, and get an early bird discount.
Or print out General Admission discount passes here.
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George Garcia | Thursday January 20 | Lima
GLOW Washington DC presents:
George Garcia
facebook.com/pages/DJ-George-Garcia/132305573464990 myspace.com/djgeorgegarcia
Thursday, January 20 2011
Lima Restaurant & Lounge
1401 K St NW Washington, DC
(202) 789-2800
Doors Open at 10pm, Ages 18+
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From NY to DC nightlife, but he didn’t have to take the Chinatown bus… George Garcia arrived at GWU in 2006 on the back of a business degree, a pair of cleats and a mixer. He took no time in diving into the local house circuit, spinning at K Street Lounge, Eyebar, Lotus, Five and Indebleu.
Within two years he found himself running parallel with those Chinatown buses, working residencies in NY at Azza Lounge and D’or as well as spinning here in The District. It was around that time he hung up the cleats and let the bass take over.
2009 saw George spinning everything from a Playboy fashion show to a US Tennis Association after party. He spun celebrity parties for everyone; Wimer Valderamma to Wu-Tang; Sean Kingston to Ovi.
His style? Tribal house with a flare for pop. His latest ‘oE Summer Prescription’ mix contains tracks by Swedish House Mafia, Afrojack, Avicii, David Guetta, Yves LaRock, Steve Aoki and more!
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Hanging up his cleats and bidding farewell to the soccer field, George Garcia has found another way to entertain and impact masses of people. George has become one of the younger, more recognized DJ’s in the scene and is not taking his pedal off the gas anytime soon. Couple together a love and appreciation for all music with an adrenaline filled desire to bring joy to people, and you pinpoint what shape his performances and have gained him recognition.
George found his relationship with music early on in life by being an active part of his family parties and being raised in an energetic, happy environment that embraced music at all times. He was first exposed to music and Latin rhythms as a child. Having his father as the main source of entertainment at parties, whether it be dancing or making sure that everyone was always on their feet, taught George to always keep the people moving. At the age of 13 George began DJing alongside friends for graduation parties, sweet sixteen events, bar mitzvahs, weddings, and house parties. As George grew older he began to perform and travel to different places, performing at private events and competitions to develop recognition for the sole purpose of providing people with a reason to move and dance.
In 2006, George made the decision to attend the George Washington University and enroll in the School of Business. By moving to Washington D.C., he embraced a new crowd, a new environment, a new scene, and a new city full of listening ears. George wanted to take advantage of this and make an impact right away. He took his first steps in D.C. by spinning at venues such as KStreet Lounge, Eyebar, Lotus, Five, and Indebleu now known as STIR. The reaction and warmth from the crowd is what first impacted George and motivated him to produce the energy that he does with his music.
With clubs in his hometown of New York such as Pacha NY, Cielo, Kiss & Fly, 1Oak & Central being his main influences, George was presented with the blueprint for an enjoyable & energetic performance. The summer of 2008 triggered the success that George has been able to have. Holding his first residencies at Azza Lounge & D’or in New York presented George with the opportunity to travel between New York & Washington to perform. That summer is when George decided to put his life-long passion of playing soccer to pursue music professionally and to fulfill his long desired dream of being an artist. DJs such as Erick Morillo, Victor Calderon, DJ AM, Robbie Rivera, DJ Berrie, Richie Santana, Steve Angello, Sebastian Ingrosso, DJ Enferno, David Guetta & DJ Camilo have been among the major influences in George’s career and style. These influences, along with his love for house music, feeding off the sensation of the crowd, his Latin energy, and addiction to drums have contributed to George’s unique style that have gotten him where he is today: able to make any crowd put in front of him move.
George has provided the entertainment for events such as Playboy Swimwear’s Fashion show, Inaugural Events during the 2009 Inauguration, Buzzing 4 Change –Cancer Fundraiser, and the USTA Tennis Final after party. George has performed for artists such as Sean Paul, Sean Kingston, Busta Rhymes, Wilmer Valderrama, Clinton Portis, the Wu-Tang Clan, Antawn Jamison, Michael Jordan, Rosario Dawson, and Alexander Ovechkin. George began his career in New York City in 2008 as resident at New York hotspots Azza and D’or & currently maintains residencies at the hip & trendy lounge La Zarza, as well as Su Casa. In Washington, he maintains residencies at renowned venues such as Josephine, KStreet, Current, Spot, & Stir. Since 2008, George has performed in New York at venues such as Hudson Terrace, Room Service, Greenhouse, Su Casa, Aspen Social Club, 49 Grove, D’or, Highbar, La Zarza, Corio, Azza, Anchor Bar, Central, & Cavo. In Washington, George has performed at Josephine, Napoleon, Spot, KStreet Lounge, Park at 14th, Stir, Five, Lotus, Andalu, Current, Eyebar, Donovan House Roof Terrace Champions, Left Bank, Heaven & Hell, and many more. George has also been mentioned in newspapers such as the New York Post and the Times Ledger. Along with being a deejay, George is also one of the original founders of, EZeeDJ, established in the summer of 2009.{tab=Video}
George Garcia at KStreet Lounge (Pt. 2)
DJ George Garcia© | Myspace Music Videos
George Garcia at Dior
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DJ George Garcia – oE.Lectric Fairytale by DJGeorgeGarcia
DJ George Garcia – oE Rhythms Vol. 2 [Live at Shadow Room 02.27.10] by DJGeorgeGarcia
DJ George Garcia – oE Summer Prescription by DJGeorgeGarcia
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Get tickets for this event NOW on wantickets.com/clubglow to guarantee entry, skip the General Admission line, and get an early bird discount.
Or print out General Admission discount passes here.
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Avicii | Sat Jan. 15th at Glow @ Fur
GLOW Washington DC presents:
Avicii
avicii.com myspace.com/avicii
Vicious Grooves-Sweden
Opening Set by Roberto Gonzalez
Thursday, January 15 2011
Fur Nightclub
Doors Open at 10pm, Ages 18+
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From: Sweden
Style: Big room, melodic house
Famous Tracks: Bromance/Seek Bromance, Alcoholic, My Feelings for You
Best Known For: Going from a bedroom producer to one of the world’s best in 2 years. Getting wasted off Jager at Club Glow!!!
DJ Mag Rank: 39
We just can’t help ourselves, and neither can you!! Avicii is back again and this time it’s in the main room at Fur!!!
In the few years Avicii has been producing, he went from mild-mannered Swedish upstart to being named breakthrough DJ of the year by Tiesto, Laidback Luke and Dirty South and now he himself has broken into the DJ Mag Poll at #39!!!
The last time he was at Lima was so unbelievably packed we had to book him at Fur this time around. There’s no way around it, he’s that good, the fans (you!) are that good and the music is off the charts!! AVICIIIIIIIIII{tab=Bio}
Avicii had only been producing a few months when his friends noticed that the productions were amazingly professional and that they had just witnessed a great talent being born. Avicii started out with doing a remix of the theme music for the Commodore 64 game ‘Lazy Jones’, but decided to drop it as it inspired him to make his own ‘Lazy Lace’ – released almost immediately on Strike Recordings.
Avicii was instantly fascinated with producing and spent many hours in his home studio creating one fresh tune after the next. Avicii never tried to get caught up in a specific subgenre of house, but wanted to keep the productions up to date and innovative. His music is inspired by the likes of Laidback Luke, Steve Angello and Tocadisco, but also Daft Punk, Eric Prydz and that of Axwell.
What Avicii wants is to create music for people to listen to and come to love, whether it be at home or in a dark nightclub. Avicii puts great emphasis on melodies in his productions and wants to appeal to fans of many different house music genres. Avicii signed on to At Night Management in May 2008 and within a month the buzz around them spread noticeably and they were recognized on labels such as Joia Records, Vicious Grooves and Ministry of Sound, just to name a few. By the end of that month, Avicii had already signed a big deal with Vicious Grooves in Australia and were head on target to soon explode over the entire globe.
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Get tickets for this event NOW on wantickets.com/clubglow to guarantee entry, skip the General Admission line, and get an early bird discount.
Or print out General Admission discount passes here.
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DJ PS1 | Friday Jan 14th: Glow in the Dark Party @ Ultrabar

DJ PS1 throws down this Friday on the main floor at Ultrabar amid the Blacklights, Glowsticks, Techno, White shirts, Neon Colors, and more. Its “Glow in the Dark” this Friday at Pop with DJ PS1! Be among the first people to show up and get free glowsticks to bump up the party! Plus you can cash in on the Progressive Open Bar on the main floor with $1 rails till 9pm, $2 rails till 10pm, and $3 rails till 11pm!
Get your full dose of Dance, House, and Techno in the basement vault level, Top 40 and hip hop on the main floor, Latin music up in the Bedroom, and Mashups and dance in the VIP (Chroma 4th floor). This is a perfect escape from the winter blues, and its on a Friday Night, so there’s no excuse to miss it.

Plus DJ PS1 will be rocking out on the main floor! With a more than respectable Autumn Top 10 on beatport.com, PS1 has moved into Winter 10/11 with enough heat to melt metal! The Moodswing 360 all-star is one of NY’s brightest stars behind the decks. His impressive resume includes events at Cain, 1Oak and Tenjune as well as being a favorite of Diddy. In fact, it seems as though the paparazzi can’t leave the guy alone.
Paris Hilton comes to his events, says hi on a red carpet in LA, and PS1 ends up front page news in all the celebrity gossip columns. Brittney Spears climbs into the booth and starts making out with him and… well, she does things like that anyway. A favorite of Lindsay Lohan and Mary-Kate Olsen, it’s clear that PS1 has quite the buzz going for him. Spinning since he was 12 and discovered at 16 by neighbor DJ Skribble, the NY fly would prefer all that attention be directed on the party itself. All he wants to do is get behind the decks, throw a rager and go home to his sneaker collection at the end of the day.

Main Floor: DJ Geometrix
Top 40, Mashups, Hip Hop
POP Floor (Vault): DJ Maskell
Pop Dance, Pop House, Techno
Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.
Chroma (3rd Floor): Lion L
Mashups, Dance, House
(GET TICKETS HERE to Guarantee Entry and to skip the General Admission line)
Plus, you can get in FREE to this event, just print out the pass below, show it at the door, and party on!
Glenn Morrison | Thursday January 13 at Glow @ Lima
GLOW Washington DC presents:
Glenn Morrison
glennmorrison.com myspace.com/djglennmorrison
Opening Set by Rez-E
Thursday, January 13 2011
Lima Restaurant & Lounge
1401 K St NW Washington DC
Doors Open at 10pm, Ages 18+
Purchase your tickets here!
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From: Canada
Style: Progressive/everything
Famous Tracks: Contact (featured on Tiesto’s ISOS 6)
Best Known For: Producing half the music you hear on every video game you play. Garnering support from top DJs across every style of EDM.
Listing Toronto and LA as home, Glenn Morrison can be found anywhere but the east and left coasts of North America. His style is so unique it has been supported by everyone from Armin van Buuren to John Digweed to Sven Vath. We’re pretty sure no other emerging stars in today’s scene can say that.
Wielding a close affiliation with Armada Music, Glenn has spun from the most exclusive yacht parties in the world to the largest, most reckless festivals anywhere. His ability to bring fans of niche dance music together under one roof embodies the ‘dance, love, music’ mantra of EDM fans everywhere.
Glenn’s music in fact, has been licensed by the likes of Armani, Mercedes, EA Sports, and Chanel!! EVERYONE loves this guy! It’s time you found out why!!
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Glenn Morrison is a true global music citizen, who is as comfortable tweaking the controls in the studio, as pushing the emotional envelope with an audience of thousands. Because, or perhaps despite, being a teenage classical piano competition winner (CMC, Kiwanis Music Festival, & ORMTA if you’re asking), he manages to combine his skill as a DJ with the craft of writer and producer.
Moving through the business at breakneck speed, Glenn is as comfortable in the studio as holding court behind the decks, and is supported in his production role with extensive plays from the creme-de-la-creme of the DJing community, including Armin Van Buuren, Justice, John Digweed, Laurent Garnier, Sasha, Tiesto, Sander Kleinenberg and Sven Vath, to name but a few. This skill in the production arena has meant numerous signings across a series of well regarded and ‘classic’ dance labels such as Sony Music, Universal, EMI, Armada, Bedrock, Platipus, Ultra, Ministry Of Sound, Poker Flat, Defected, Azuli, and many others.
His eclectic taste for all things considered ‘proper club house music’ has garnered him a variety of fans from varying core sound bases. From grainy screeching acid lines to lush ethereal progressive, this jack of all trades does it all and well. He is well known for his live mixes at such prestigious clubs as the Amnesia in Ibiza, Pacha in Buenos Aires, and the Roseland Ballroom in New York City, but he is equally at home putting together a set for the Dance Department or John Digweed’s Transitions radio show. The common denominator in all these cases being the ability to make a crowd dance and an eye for quality.
Glenn came of age in the dance arena whilst working at Toronto’s influential Release Records. This lead to the foundation of Morrison Recordings, which has gone from strength to strength with its close association with the Dutch powerhouse of Armada Music. As well as releasing a string of high-quality dance records through his label Morrison Recordings, particularly Glenn himself has been involved in numerous licensing deals with a number of global brands such as Hugo Boss, Chanel and Armani Exchange, Mercedes Benz, and top computer players, Blizzard Entertainment, EA Sports and Nintendo.
Despite an almost overwhelming workload of extensive touring in all manner of locations, from the small and uber-exclusive world of private yachts, oceanic house parties and secret desert gatherings to mindblowingly huge events with over 70,000 hyped-up fans in stadiums and all the amazing club venues in-between, Glenn still finds the time to remix for an illustrious range of artists – Pet Shop Boys, Craig Armstrong, the B52’s, and Bernard Sumner (from New Order).
Most importantly, he is as enthralled by dance music in all it’s emotional glory as he was when the needle dropped and the beats fired-up on his first slice of vinyl.
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Kyau & Albert | Saturday January 8 | Fur
Kyau & Albert
kyauandalbert.com myspace.com/kyauandalbert
Opening Set by Des McMahon
(Recoverworld, Mondo)
Saturday, January 8 2011
Fur Nightclub
33 Patterson St NE Washington DC
Doors Open at 10pm, Ages 18+
(202) 842-3401
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From: Germany
Style: Trance
Famous Tracks: Velvet Morning, Falling Anywhere, Made of Sun, Walk Down, Kiksu, Always a Fool
Best Known For: Being one of the top trance acts in the world.
DJ Mag Rank: 40
Audi, Mercedes-Benz, BMW, Porsche, Kyau & Albert. German engineering at its finest.
Celebrated as one of the most accomplished and musical partnerships within the trance community for many years, DJ Mag’s #40 recently took their biggest steps yet towards mainstream exposure. With remixes of British icon Bent, Faithless f. Dido and a legendary collaboration with Above & Beyond, ze Germans continue to spread euphoric bliss wherever they land.
K&A’s productions are bigger and more music-driven than ever. Along with their classic club thrillers, 2010’s ‘Painkillers’ and ‘Once In A Life’ crossed over to fans of acts like Coldplay and Keane.
If you claim to love trance there are no excuses. We better see all you Glow-heads out in full force!!!
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2009 Kyau & Albert began the year with the release of their album ‘Best of 2002-2009’. They received the International Dance Music Award at the Miami Winter Music Conference for their single ‘Hide & Seek’ and were also praised with the prestigious Beatport Music Award for their remix of Cressida’s ‘6AM’. Having performed in 26 countries, they spent more days in airports and airplanes than ever before in their career. The single ‘I Love You’ wrapped up a fantastic year for Kyau & Albert.
2008 Their outstanding remix of Cressida’s ‘6AM’ was the best selling trance track of 2008 on Beatport, the leading online electronic dance music store. Marc Marberg joined the duo for a hot double collaboration ‘Neo Love/Orange Bill’ with ‘Orange Bill’ accompanied by a very clever and entertaining music video. Their remix of ‘Out of the Sky’ by Lange was yet another masterpiece popular across the global dance floor and having proved themselves as the remix masters, they were honoured in having the privilege of remixing Paul van Dyk’s single ‘Complicated’. Although it was the busiest year of their career, they also managed to release their hit single ‘Hide & Seek’ and due to popular demand, their sensational monthly radio show Euphonic Sessions was made available as a podcast through iTunes.
2007 Euphonic celebrated its tenth anniversary. To toast the label’s continued success in the electronic dance music arena, Kyau & Albert embarked on a global tour to commemorate their decade of dance. Their collaboration ‘Megashira’ with Marc Marberg was huge on the dance floor and they also released two more superb singles ‘Always a Fool’ and ‘7 Skies’.
2006 With a slight change in their name from Kyau vs. Albert to Kyau & Albert, ‘Walk Down/Kiksu’ was released as a double single. ‘Walk Down’ featured an associated music video and ‘Kiksu’ proved to be incredibly popular across the global dance floor. Their impressive second artist album ‘Worldvibe’ was released internationally. The first single from that album ‘Are You Fine?’ became their most successful release.
2005 ‘Made of Sun/Falling Anywhere’ was released as a double single in Germany on Euphonic and in the United Kingdom on Anjunabeats. This release was a global club hit and their biggest success to date. The mix compilation ‘Positive Ways 4’ was released later that year. Their album ‘Here We Are Now’ was also released in the United States of America, Russia and throughout Asia bringing Ralph and Steven many more new fans. As well as doing remixes for Schiller and OceanLab, they continued touring globally and commenced work on their second artist album.
2004 ‘Velvet Morning’ was released as a single on Anjunabeats in the United Kingdom and their next single ‘Not with You’ featuring Julie Lutat entered the German Singles Charts at #93. Their debut album ‘Here We Are Now’ was released in Germany after much anticipation. However, it was their remix of ‘Jump the next Train’ by Young Parisians which became an instant success and propelled them in to the international arena. Despite the growing number of requests for remixes by other artists such as Armin van Buuren or Ridgewalkers, Ralph and Steven focused on producing remixes of the singles ‘Made Of Sun’ and ‘Falling Anywhere’ from their debut album.
2003 ‘Review’ was the first compilation released by Kyau vs. Albert, showcasing their productions and remixes to date. Their next single ‘Velvet Morning’ entered the German Singles Charts at #74.
2002 ‘Save Me’ was finally released. It entered the German Singles Charts at #44. The demand by other artists for their remixes increased which kept Ralph and Steven incredibly busy during their weekly performances.
2001 Kyau vs. Albert released their single ‘Outside’ together with a music video played across German and European television. Paul van Dyk was a big fan of the single, playing it during his live sets. He eventually invited Ralph and Steven for an interview on his popular radio show. ‘Outside’ was a radio hit and entered the German Singles Charts at #74. Numerous remix requests followed from artists such as KayCee and Kosheen as well as further requests for television appearances. Despite Ralph and Steven having performance bookings every weekend, they worked hard to complete their single ‘Save Me’.
2000 The single ‘Great/Loebau’ entered the German Dance Music Charts in January, promoted by several German radio stations. WEA Records of Warner Music Germany was incredibly impressed with Kyau vs. Albert and commenced a three year deal with the duo.
1999 Using the pseudonym Moebius AG, Ralph and Steven produced a house track ‘Do what I want’ which became a massive club hit. It entered the German Dance Music Charts without any promotion by Euphonic.
1998 Although Ralph and Steven continued to produce tracks individually under various pseudonyms, they became an increasingly popular live act when performing as Kyau vs. Albert. ‘We Come In Peace’ was their first compilation released on Euphonic.
1997 In March Ralph and Steven established the record label Euphonic. Rough Mullar aka Sonorous and Ronski Speed were signed to the record label shortly after its establishment, which proved to be a solid foundation for their expression of new and creative musical ideas.
1996 Ralph and Steven became formally known as ‘Kyau vs. Albert’ and released their first single ‘Let me in’. They combined both of their small studios and established a music production company.
1995 Upon discovering they both had similar creative ideas, Ralph and Steven commenced producing music together. This included live performances.
1994 Ralph established Harmony Recordings together with DJ Shandy. Mirco de Govia was the first artist signed to the record label. Ralph met Steven Moebius Albert who had also been experimenting in producing electronic music.
1990-1993 Ralph Kyau began experimenting with the production of electronic music, performing his tracks live at several underground techno parties. He released his first record ‘Modulation Experiments’ at the end of 1993.{tab=Video}
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DJ Scene | Friday Jan 7th: “Vegas Pop” at Ultrabar
DC CLUBS – Experience one hell of a crazy show with DJ Scene, a pro battle DJ from Vegas with an impressive history, this Friday at Ultrabar! Check out the pictures from the last time DJ Scene played at POP at Ultrabar
He’ll be throwing down on the main floor putting out a crazy set of Dance, Top 40, and Hip Hop. He also throws down plenty of 80’s, mashups, and ridiculous mixes! DJ Scene is known for being the ’02 Northwest DMC Champion, his weekly radio shows on WILD 94.9 in San Fransisco, Kube 93.3, and XM channel 67!
Vegas Pop also means A CRAZY BOTTLE SPECIAL GAMBLE! If you’ve booked a table, you can order an additional bottle during the night with a 50/50 chance of getting it for FREE!
Here’s how it works: You buy a bottle at regular menu price, we serve it, and then we flip a coin! If you make the right call, we’ll go back and credit your tab covering the price of that bottle! (up to $300 per bottle). Make the wrong call, nothing bad happens! (Bottle stays on your tab at regular price as normal.) You just can’t lose!


Ultrabar nightclub features 6 bars, 4 dancefloors, and 4 djs to really fire up the night. Take a look at the lineup!
Main Floor: DJ SCENE (opening set by DJ Geometrix)
Top 40, Mashups, Hip Hop
POP Floor (Vault): DJ Maskell
Pop Dance, Pop House, Techno
Bedroom (2nd Floor): NV & Bomba
Latin Music, Reggaeton, etc.
Chroma (3rd Floor): DJ Spaz
Mashups, Dance, House
Morgan Page | Thursday January 6 at Glow @ Lima
GLOW Washington DC presents:
Morgan Page
morgan-page.com facebook.com/morganpage
Opening Set by Roberto Gonzalez
Thursday, January 6 2011
Lima Restaurant & Lounge
1401 K St NW Washington DC
(202) 789-2800
Doors Open at 10pm, Ages 18+
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From: USA (Vermont)
Style: progressive, vocal house
Famous Track: The Longest Road
Best Known For: Grammy nominations in 2008 and 2011
Fresh off a 2011 Grammy nomination for his remix of Nadia Ali – Fantasy (click the music tab for the music video!), American progressive dance master Morgan Page is starting 2011 off with a bang at Lima Lounge!!!
The highly sought after producer and remixer – whose recent remixes include tracks for Adam Lambert, La Roux, Madonna, and Katy Perry – has developed a style all his own, merging punchy beats with strong melodies and structure that connects with dance music veterans and newcomers alike.
With everything from La Roux to Avicii and Sebastian Ingrosso; Afrojack to Way out West and Dresden & Johnston in his set lists, Morgan Page brings a flare for the smooth, progressive, melodic style of dance music taking over the world!
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With over 110 remixes to his name—including tracks by Madonna (“Miles Away”), Katy Perry (“I Kissed A Girl”), Tegan & Sara (“Back In Your Head”), and La Roux (“Bulletproof”)—Morgan Page has earned a solid reputation for transferring insatiable pop energy to the dance floor in the form of banging, progressive house tracks. High ranking spots on iTunes’ dance chart, Beatport’s progressive chart, and Billboard’s club charts affirmed his salability, while an ’09 Grammy nomination for Deadmau5’s remix of Page’s “The Longest Road” simultaneously bolstered his underground cred while spotlighting his skills as a songwriter.
Page released his first official full-length album in 2008. Entitled Elevate, it featured remixes of music by The Submarines, Dengue Fever, Nelly Furtado, Delerium, and others, along with a small handful of Page’s originals. It was the perfect calling card for a producer well steeped in vocal re-rubs, but eager to imprint his own unique mark upon dance music.
Earlier this year, Page released Believe, a powerful, captivating album that makes good on his International Dance Music Awards nomination as Best Breakthrough Artist, and typifies his journey from bootleg remixer to award-winning producer and world renown DJ.
“Believe took a year and a half to make, but it was worth it!” says Page. “I went to great lengths to make songs I felt will last a long time, and to create an album you want to listen all the way through. It’s easily my best work so far.”
As a college student and mix show radio DJ in Burlington, Vermont, Page learned to navigate the space between pop music’s accessibility and the heady minimalism of progressive house early on. At the age of 18 he was nominated for Boston Music Award, and early in his career produced a remix of “Angels,” a track by seminal trip-hop band Wax Poetic, featuring the vocals of one Norah Jones. The dance community was quick to catch on, and his first instrumental tracks were signed to taste-making imprints like John Digweed’s Bedrock, Satoshi Tomiie’s Saw Recordings, and James Zabiela’s Hearing Aid. In 2003, he made the move to Los Angeles.
“I was juggling remixes with a day job, then brewing coffee at midnight,” says Page, “burning the candle at both ends and saving money so I could write music full-time.”
The landscape dramatically shifted for Page when he released a now infamous collection of bootleg remixes in 2005 entitled Cease And Desist. Without the help of master tapes (or label permission) he extracted a cappellas and signature melodies from tracks by David Bowie, Coldplay, Imogen Heap, Esthero, and The Kills with surgical precision, then rounded out the sound with luminous instrumentation and blazing beats. His undulating progressive feel and strict attention to kit detail—never the same kick drum twice, ever—was a perfect compliment to the larger than life vocal hooks. Dance music blogs like Resident Advisor and Beatportal took note, and Page’s own server continually crashed under the weight of the mix’s download traffic.
“It was like going to boot camp,” says Page of the arduous process behind creating Cease And Desist. “It was a great way of getting good at editing with limited resources, and it got out to so many people. You just didn’t know who was listening to it.”
Everyone from DJs and producers to managers, agents, and of course fans got their hands on the album, and its underground success helped pave the way for music future placements in television shows like Samantha Who? and Melrose Place, as well as cutting edge campaigns and in-stores for Bebe, Chanel, and Sephora. With his resume and repertoire quickly expanding, Page struck again with the release of Elevate, an album that KCRW DJ and electronic music pundit Jason Bentley described as “a breakthrough collection of original music and remixes” full of “subtle electronics and thoughtful songs.” Jo-Anne Greene from All Music Guide was even more forthright in her praise, referring to Page as “a man fast becoming a legend.”
Having long jettisoned his status as an up-and-comer, Page is ready to step into the next phase of his career, firmly joining the ranks of established “triple threat” DJs, producers, and remixers like Kaskade, Deadmau5, and Eric Prydz. It’s no surprise that the dance music scene is already buzzing about Believe.
“Fight For You” is the album’s first single, and is already being supported by world class DJs like Tiësto, Armin van Buuren, Above and Beyond, Dave Dresden, and Hernan Cattaneo. Bolstered with impassioned lyrics and swift, clean guitars, the track embodies Believe’s fragile yet faithful feel, pushing through wistful cinematic shades to the promise of something better up ahead.
“Believe is very dark, but I’m not a dark person at all,” Page explains. “I just lean towards these specific chords and melodies. Melancholy with a little bit of hope.”
The Pete Yorn cover “Strange Condition,” a simple, spatial arrangement that highlights Page’s ability let his vocalists control the direction of a song, and not be driven towards emotional peaks and valleys by just synths and bass. Page uses a similarly subtle approach on “Tell Me Why,” featuring the velveteen vocals of Télépopmusik’s Angela McCluskey. Elsewhere, Page enlists the talents of Matt Alber on “Agnus Dei” and Gabriel & Dresden alum Jan Burton on “Traces Remain” and the raucous “I’ve Had Friends.” On the moody “In The Dark,” Page himself takes a turn on the mic at the urging of another G&D contributor, Molly Bancroft, who was initially tapped to provide the vocals. For Page, it was simply the next logical progression in his maturation as a producer.
“I want to work with singer/songwriters who have depth to their lyrics, and I’m trying to bring influences in from other genres,” says Page. “It’s tragic to see all the tracks on Beatport that are just made for clubs. They’re great for what they are, but it’s not necessarily something you want to have in your car on repeat, or listen to again in 10 years. This album is really a reflection of myself, and I want these songs to last a long time.” {tab=Video}
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