Timbaland’s Ten Best Productions Have Spanned The Decades
In arguably Decades’ favorite era between 1994-2013, Timbaland produced 36 singles that hit #1 on ten different American pop charts, as well as having a hand in production on 50 different releases that hit the top of five different American album charts, too. From Jay Z and Missy Elliott, to Madonna and Aaliyah, to Nelly Furtado and Justin Timberlake, he’s made hits with seemingly just about everyone. Here, we take a look at, statistically, the ten best #1 singles he ever produced.
Summer 2000’s biggest rap single could easily also be known as one of rap and pop music’s most culturally impacting hits of all time. Jay Z pairs with legendary Port Arthur, Texas born “southern rap impresario” duo UGK on the track, which for the tandem was also their most significant reach onto the Billboard rap charts. Timbaland’s notable sample here is from “Khosara Khosara,” an Abdel Halim Hafez song, performed by Hossam Ramzy, from a CD compilation entitled The Best of Bellydance from Egypt, Lebanon, Turkey.
Missy “Misdemeanor” Elliott, Lil’ Mo, Nas, Eve, and Q-Tip’s collaboration for 1999 single “Hot Boyz” is one of those rap moments when, even before there’s a voice on the track, hands are in the air and screams are audible from the crowd. In fact, the song was such a club crusher that it spent roughly one-third of 1999/2000 as the number one rap single on Billboard’s “Hot Rap Singles” chart. The synth pulses that open the production? Instantaneously iconic hip-hop sonic blasts.
Timbaland’s work as a solo artist isn’t exactly on the same level as his work as a producer, except for the case of his Shock Value album lead single “The Way I Are.” The dance-ready club heater features additional vocals from Keri Hilson, and has a sound that’s very similar to a song we’ll see later in this countdown from Justin Timberlake. A wonderful mix of Motown-style songwriting, disco-esque soul and then-modern electro pop, it’s a futuristic hit that’s still relevant in the modern age.
As if to prove that there’s nothing that Justin Timberlake and Timbaland couldn’t do as a collaborative unit, with 2008’s “4 Minutes,” they provided Madonna her first American top ten hit since 2002’s James Bond soundtrack single “Die Another Day,” and her first top five hit since 2000’s “Don’t Tell Me.” The dance single is described by Madonna as being about “saving the environment and hav[ing] a good time while we are doing it,” it’s certainly one of the most notable superstar moments in Timbaland’s career.
Timbaland’s produced his fair share of “suggestive” tracks, but none are quite Beyonce’s 2013 ode to her love of all things related to her husband Jay Z. The song is unique in that it’s one of Timbaland’s few forays into producing trap-style beats, which he accomplishes with his usual flair for both the unique and dramatic. Gypsy folk-meets-urban soul here in the most amazing of ways and hits home with a monster hit that likely impacted pop culture more than the music industry.
In the fun piece of trivia attached to this song, it was included on the soundtrack of 2000 film Romeo Must Die, which also featured Aaliyah starring alongside kung fu master Jet Li. The synth heavy R & B that Timbaland became synonymous with later in his career is somewhat on display here as this is a happy point in-between a song like Ginuwine’s 1997 smash “Pony,” and his work on Justin Timberlake’s FutureSex/LoveSounds album.
When Timbaland was finished weaving his magical sounds around the talent of Canadian folk-soul vocalist Nelly Furtado, what emerged was sexed-up electro pop anthems like her 2006 Timbaland collaboration “Promiscuous.” Somehow Furtado rap-singing the verses while Timbaland performs the hook works here. There’s something completely catchy about absolutely everything in this song, from the melody that merry-go-rounds in your head and more. Timbaland definitely “[had] what [we needed]” on this one.
Timbaland’s been quoted in interviews as saying that his sounds are responsible for dubstep’s innovation. While that may not be true, when Kanye West needed to find someone to re-track the drums on his Daft Punk-inspired Graduation lead single, he called electro-soul pioneer Timbaland, and he weaved his magic into the track’s bottom end. There’s a richness in the quality of the sound on this one that arguably influenced everyone from Steve Aoki to David Guetta and more.
Timbaland’s first solo-billed single #1 Billboard single is this boast-filled electro-meets-club jam that features the voices of both Justin Timberlake and Nelly Furtado. As with many Timbaland productions from this era, there’s an almost disco-like desire to get people on the floor here, as the stomping drums are aided by keyboard-led melodies that just insist that dancing to them is both the only and best answer.
When Justin Timberlake paired with Timbaland, pop music moments that were on a level that had not been heard since Michael Jackson and Quincy Jones collaborated together in a studio occurred. The best of these iconic times was FutureSex/LoveSounds’ lead single “SexyBack.” Intriguingly, pop music one year prior was actually hurting for alpha male pop sex appeal. 50 Cent and Kanye West were rappers, and Green Day’s “Boulevard of Broken Dreams” was an epic moment for pop-aimed rock and roll. Enter JT and Timbo to change the pace and tenor of the times.
Timberlake himself refers to the song as “David Bowie-meets-James Brown,” which is amazing in and of itself. However, throw in Timbaland listening to The Rapture’s indie rock breakthrough “House of Jealous Lovers” and Prince hits from the era of “Controversy” into the mix, and what results is something exactly in the middle of all four of those influences that still slays dance floors like Decades’ to the modern day.
The 90s Boom Could Last Forever
Don’t think for a second that millions of viral Youtube video clips of people dancing a version of the Running Man dance to R & B hits, pop acts like Duran Duran and 98 Degrees reuniting and playing 20 tour dates in August 2016 alone, MTV program Daria resurfacing, Pokemon being the world’s most popular video game and Mariah Carey seductively posing on the cover of mainstream magazines are five unrelated events from the past three months. In fact, they’re connected by the fact that they prove that the 1990s and retro culture in general are incredibly popular right now. In presenting facts, figures and thinking about what the future may hold, we’ll get a sense of why love for the 1990s could possibly not be just a trend, but rather, the start of a phenomenon that lasts forever.

Recently, Viacom has swapped brands and concepts on it’s “classic” music channel. VH1 Classic is now MTV Classic, and is not just focusing on throwback content in general from the Viacom family of music networks. Instead, the new MTV Classic is specifically ‘90s focused, with MTV President Sean Atkins noting that “MTV’s [‘90s] programming vault is a music and pop culture goldmine with universal resonance.”

‘90s music reaching “goldmine” status should be obvious by now, but to break the trend down by simple numbers, overall music sales in the 1990s rose roughly 75%, while in the years since 2000, overall sales have dipped 64%. If you’re NOT looking for numbers as proof, ask yourself just how quickly you specifically downloaded and paid $20 for the Tidal app *just* to hear Prince’s feel-good hits from the 1990s after he unexpectedly passed away.

Nostalgic feelings for the 1990s are not just limited to music. In 1996, the top five comedies on free television were watched in 54 million homes. Comparatively, in 2014, there were only three comedies in the top 30 TV programs on free television, and these programs were viewed by 27 million households. Clearly, while there’s certainly more broadcasting options than ever before, the ratings also show that people could easily want to watch ‘90s TV shows again. Need proof? 1996’s top-ranked comedy was Seinfeld, and famously, the streaming broadcast rights for the show were sold to Hulu last year for $160 million. That’s a lot of puffy shirts.
Discussing music again, there’s also the idea to consider that for every modern day Drake and Kanye that become superstars, that we’re not comparatively creating the seemingly never-ending list of ‘90s rap stars that include Biggie, Tupac, LL Cool J, Puff Daddy, Busta Rhymes, Dre and Snoop, Meth and Red, and so many more.
Here’s a quick number to drive home that point. There’s a group of 11 artists who had #1 singles for 42% of the 1990s. By comparison, there’s 11 artists who have had #1 singles in the 2010s, but for 71% — or nearly twice as long. This definitely allows for fewer options to break through as superstars.

In 20 years, imagine say, Desiigner, going on a sold out tour like the 1990s-beloved 98 Degrees, “I Love The ‘90s” Tour participants Salt-N-Pepa, Kid ‘N Play, Vanilla Ice and Coolio, “90sFest” Tour headliners Smash Mouth, Sugar Ray, Bone Thugs-N-Harmony and Spin Doctors, or say, current Billboard pop chart toppers Blink-182. It’s safe to say that a nostalgia tour where “Panda” and “Timmy Turner” are played on repeat probably will not happen.

What happens when fewer records sell, modern entertainment isn’t so entertaining, there are fewer current superstars and people want fun experiences more than ever before? People literally start doing the Running Man again. Exactly.
The ‘90s boom is not a joke. Instead, it’s a sign of things to come, and things that also may last forever. Now, imagine if there were a club, let’s say in Washington, DC, where people could hear their favorite ‘90s tunes played all night long.
Decades is coming soon.
Why Trap Is The Next Big Thing
What Is Trap?
For the last few years EDM has been gaining much popularity and music festivals like Ultra, Electric Daisy Carnival, Electric Zoo and Camp Bisco have been attracting large crowds of house-heads and introducing many other sub-genres into the mix as well; one of them being trap. From the beginning of time every music genre has had its time when it starts to develop into something else and has a recognizable difference to its listeners and this is what has been happening with trap music.
You may have heard of trap and think it’s just extreme hip-hop, well you’re wrong. Trap is basically what you get when you combine heavy house beats with hip-hop. It originated in the Early 2000’s from Southern Hip Hop and crunk music with artists like Lil’ Jon, the Ying Yang Twins and Young Jeezy. Its sound has gone through many changes and progressed a lot as many different artists and DJs have influenced its sound but it can mostly be characterized by relatively low BPM (beats per minute), hi-hats, soaring synthesizers and kick drums that pulse and reverberate.
Today trap music has been very influenced by Dubstep but without the constant bass and excessive commotion that there is in some Dubstep music. It contains elements from house, drum and bass, dubstep, EDM and moomahton. It has been labeled as the “new dubstep” and “new moombahton” and DJs like Diplo, Flosstradamus and Bauuer are continuing to widen its popularity among both EDM fans and hip-hop fans.
The slow BPMs allow even the most uncoordinated, biggest lack of rhythm white girl dancers to find the beat and not dance off beat like usual. The heavy drops and kick drums make every girl want to booty pop so if you don’t want to see chicks wiggling and bopping around with their hands in the air like pogo sticks anymore than try turning off your stupid Ke$ha and Taylor Swift songs, turn these tracks up and watch what happens.
https://soundcloud.com/flosstradamus/major-lazer-original-don
https://soundcloud.com/diplo/express-yourself-feat-nicky-da
https://soundcloud.com/dillonfrancis/suit-tie-dillon-francis-remix
Life in Color Festival: 9/21 at RFK Stadium Grounds
Life in Color, Glow DC and Panorama Productions pres.
Life in Color Festival DC – Official After Party at Echostage
“The World’s Largest Paint Party”
Saturday September 21, 2013
RFK Stadium Grounds
Doors at 2PM
Attractions:
Ferris wheel, zip line, air bungee, dunk tank, tropical slide & more!
Artists:
12th Planet | Adventure Club | Afrojack | Borgore | Cazzette | David Solano | Headhunterz | Le Castle Vania | Nicky Romero | R3hab | Savoy | Showtek | Xkore
Ages 18+
Life in Color (formerly Dayglow) brings its first-ever festival and largest concert to date to Washington, DC on Saturday September 21. Expect massive DJs, 10’s of thousands of fans and a million billion trillion gallons of paint! We brought you the largest Dayglow ever in September 2012. It’s time to Glow harder or Glow the f*** home!
Benny Benassi – 8/3/13 Glow at Echostage
Benny Benassi
Sultan + Ned Shepard
DJ SAAM
Saturday August 3, 2013
Doors at 9PM. No dress code. Ages 18+
Bottle Service: tables@echostage.com • 202.503.2330
Echostage • 2135 Queens Chapel Road NE • Washington, DC
Benny Benassi finally gets to take a crack at Echostage, America’s newest powerhouse club venue. It has been far too long since DC nightlife experienced the man who brought electro to the global dance music mainstream. Alongside the ‘Electroman’ are Sultan + Ned Shepard, whose recent collaboration ‘No Good’ with Fedde le Grand has reached as high as #3 on the Beatport Top 10 chart.
It’s. Benny. It’s Echostage. It’s Glow Washington DC! Tickets will sell out. Do yourself a favor and grab yours as soon as possible.
Swedish House Night: 7.11.14 at Ultrabar
Panorama Productions and Ultrabar Present:
Swedish House Night
Friday, July 11, 2014 | Ages 18+
Ultrabar • 911 F Street NW • Washington, DC
Swedish house music has taken over EDM and we’re taking a night to celebrate the blue and yellow!
Party to the beats of Swedish House Mafia, Avicii, Eric Prydz, Alesso, Dada Life, John Dahlback, Marcus Schossow, Otto Knows, Rebecca & Fiona, Adrian Lux, Style of Eye, AN21, Cazzette & More!
DCCLUBBING and Hot 99.5 present you: DC’s #1 DANCE PARTY every Friday at Ultrabar!! DC’s #1 dance club with 4 different dance experiences!
Featuring 5 floors, 6 bars and $5 Fireball shots till midnight!
- 5 Levels, 4 DJs spinning Top 40, House and International
- $5 Fireball shots until midnight
- $150 bottles of Stoli
- Bottle service available at (202) 271 1171
- Ages 18+ w/ valid ID
- Dressy Casual
Music Format:
– Main Floor: DJ Kam (Top 40, Mashups, Hip Hop)
– Bedroom: DJ Destroyer (Hip Hop)
– Chroma : DJ Dale & DJ C-LO (Latin & International)
– Basement: DJ George Tsakiris (Dance, Top 40)
Mega Glow ‘Moonrise Make Up’: 6/9 at Echostage
Mega Glow
Moonrise Make Up Edition
Paul van Dyk • Krewella • Crookers
Paper Diamond • Bro Safari • Eptic
2RIP • RaceCarBed • Glock
Sunday June 9, 2013 at Echostage
Bottle Service: tables@echostage.com • (202) 503-2330
Echostage • 2135 Queens Chapel Road NE • Washington, DC
Steez Promo worked tirelessly to salvage their festival experience. With make up dates happening in Philly, Baltimore and now DC, we’re confident in saying this ‘Moonrise Make Up’ event will be ridiculous! Expect a ton of great artists spinning all day/night on Sunday June 9th at a very special edition of Mega Glow at Echostage!
Glow pres. Thomas Gold and Danny Avila: 6/1 at Echostage
Thomas Gold
Danny Avila
Saturday June 1, 2013
Opening set by Baker & Atkinson
Doors at 9PM. No dress code. Ages 18+
For bottle service call (202) 503-2330
Echostage • 2135 Queens Chapel Road NE • Washington, DC
Watching Thomas Gold’s presence grow not just locally, but worldwide has been unreal! From our first event with him back in June 2011 to the present, we’ve seen Thomas Gold go from a relatively unknown with great support to a bonafide star. And now it’s time for his debut at the the #4 American club venue in the world!
In another two years we’ll probably be saying the same thing about Danny Avila! The kid is a product of Ibiza’s music, culture and musical influence. He knows how to rock a party, keep the people energized and ya ya, the ladies love him! Humble and ready to rage, Danny Avila makes his Echostage debut on June 1st.
DOWNLOAD THOMAS GOLD, LIVE @ GLOW FOR FREE:
DOWNLOAD DANNY AVILA, LIVE @ GLOW FOR FREE:
Glow pres. Michael Woods: 5/30 at Ultrabar
Michael Woods
Thursday May 30, 2013
Opening set by MebaaWorldPeace
Doors at 10PM. No dress code. Ages 18+
Ultrabar • 911 F Street NW • Washington, DC
If Mark Knight is the man able to bring underground beats to the big room, then Michael Woods is the one able to make big room tunes palatable in the dance music underground. His recent track ‘Platinum Chains’ on Calvin Harris’ Fly Eye label has been wrecking dance floors everywhere. It’s once again time for Michael Woods to Glow Hard!
Drink Specials:
Half-Off drinks ’til 10PM
$8 Red Bull Vodka all night
For tables please call 202.271.1171
Glow Thursdays at Ultrabar: Quintino w/ Connor Cruise – 5.23.13
Quintino
Connor Cruise
Thursday May 23, 2013
In the Bedroom:
Des McMahon & Rez-E
Sunchase & Johnny Diaz
In the Basement:
Loud James
Doors at 9PM. No dress code. Ages 18+
Ultrabar • 911 F Street NW • Washington, DC
Quintino has had quite the ride over the last couple years. Unleashing ‘Epic’ with Sandro Silva on Tiesto’s Musical Freedom label for starters. Linking up with Afrojack on the front lines of the Dutch House movement after that. And umm… what else? Oh ya… he produced the 2013 theme of this little festival called Ultra with Tiesto and Alvaro. Yup. Quintino is on fire at the moment.
Drink Specials: Half off drinks until 10, $8 Redbull vodkas all night
Table Specials: 2 Grey Goose and Champagne $500, 1 Grey Goose and Champagne $500